I watched Kissing Jessica Stein (squee! Scott Cohen!) the other night and like so many others, I was intrigued by the concept sexy-ugly. Then I got to thinking, hey, I'm a big fan of sexy-ugly, especially when it comes to musicians.
Here is my list of some of my favorite sexy-ugly guys out there in no particular order.
1. Blixa Bargeld
Who is he?
He's the vocalist for Einstürzende Neubauten and has played with Nick Cave and the Bad Seeds. Also does commercials for German DIY store Hornbach. Able to make the sound of strangled cats or dying children, according to Nick Cave.
2. Nick Cave
Who is he?
He is an Australian musician who was vocalist for The Birthday Party and later Nick Cave and the Bad Seeds. Also records under the name Grinderman. Stupendously sexy even though he has a weird face.
Bonus: Nick and Blixa make fangirls melt.
3. Gary Numan
Who is he?
David Bowie fan and synth-pop pioneer. Now he makes old goff music. Some might question his sexiness, but come on, dude's got a pilot's license. (Imagine that!)
4. Josh Homme
Who is he?
Singer for Queens of the Stone Age and member of Eagles of Death Metal. Most sexy in the music video for "Little Sister". That video made me remark, "It's like he thinks he's hot and somehow he makes us think so too." Takes advantage of my weakness for red heads.
5. Roland Orzabal and Curt Smith
Who are they?
They are Tears for Fears, motherfucker. Maybe not sexy so much as adorable. Minus five points for Curt's rat tail all those years.
6. Jack White
Who is he?
One-half of The White Stripes. Pale, stringy hair, shadowy-eyed, really awesome. An obvious addition to my list.
7. Moby
Who is he?
Multi-instumentalist, sample wizard, vegan. If you doubt his sexy, just know he dated Natalie Portman for a short while. Yeah.
8. Jarvis Cocker
Who is he?
Vocalist for Pulp. Writer of "Do the Hippogriff" from Harry Potter and the Goblet of Fire. He might just be ugly if it wasn't for his creepily long fingers which are sexy. Also, key character in this fanfic I read.
9. Mike Joyce
Who is he?
Drummer for the 80s indie band The Smiths. Now does the DJ circuit. He's on this list only because he's no longer the ugliest Smith now that Andy Rourke's aged terribly. Good on you, Mike.
10. Pickles the Drummer
Who is he?
Fictional character. Drummer for animated band Dethklok. Sexy even though he has some sort of dread skull-et. That's talent. His Wisconsin accent really does it for me.
Wednesday, December 31, 2008
Sunday, December 28, 2008
Yo
It's been a week since my last post. I hope everyone's been having a nice holiday.
Just a few odds and ends.
I looked up Rammstein on Wikipedia and the article said that they will be coming out with their sixth studio album in 2009. Cool beans, I guess. Put that next to Morrissey's Years of Refusal and the titled-but-the-title-isn't-revealed-yet Depeche Mode album in my list of anticipated 2009 albums.
I still haven't watched this all the way through, but it's an informative video about the drum break on "Amen, Brother" - a b-side released in 1969 by the Winstons. This drum break has been endlessly sampled and had a huge impact on hip hop, drum and bass, and jungle. Whoop.
One last thing, click
Just a few odds and ends.
I looked up Rammstein on Wikipedia and the article said that they will be coming out with their sixth studio album in 2009. Cool beans, I guess. Put that next to Morrissey's Years of Refusal and the titled-but-the-title-isn't-revealed-yet Depeche Mode album in my list of anticipated 2009 albums.
I still haven't watched this all the way through, but it's an informative video about the drum break on "Amen, Brother" - a b-side released in 1969 by the Winstons. This drum break has been endlessly sampled and had a huge impact on hip hop, drum and bass, and jungle. Whoop.
One last thing, click
Sunday, December 21, 2008
Warner Music Videos Removed From Youtube
Story on Yahoo! News
Story on Oh No They Didn't
Negotiations between Warner and YouTube broke down and now Warner is demanding that all the videos from the Warner label and all subsidiaries be removed. No date mentioned.
Noooooo, whyyyyy? This seems like a classic case of Warner cutting off its nose to spite its face. The comments on ONTD offer many testimonials to the effect that people discover new artists on YouTube because music channels such as MTV, VH1 and Fuse do not play music videos at peak hours anymore. We all know that the music industry is suffering, but do they have to punish the public? Repeatedly?
So users will increasingly turn to dailymotion and other sites which offer free viewing on demand. And Warner will have no revenue. SMART IDEA WARNER.
Story on Oh No They Didn't
Negotiations between Warner and YouTube broke down and now Warner is demanding that all the videos from the Warner label and all subsidiaries be removed. No date mentioned.
The order could affect hundreds of thousands of videos clips, as it covers Warner Music's recorded artists as well as the rights for songs published by its Warner/Chappell unit, which includes many artists not signed to Warner Music record labels.
The talks fell apart early on Saturday because Warner wants a bigger share of the huge revenue potential of YouTube's massive visitor traffic. There were no reports on what Warner was seeking.
[...]
The music companies typically get paid a share of any advertising revenue associated with the video and a per-play payment for every video viewed. The per-play fee is usually a fraction of a penny and with millions visiting YouTube everyday it was all expected to add up to a substantial amount.
But a source familiar with Warner Music's talks said the amounts it has been receiving from YouTube were "staggeringly low".
[...]
YouTube also has agreements with Vivendi's (VIV.PA) Universal Music Group, Sony Music Entertainment and EMI Music. Warner's move could see them also making tough demands for higher fees.
The demands could leave YouTube in a difficult position as it tries to balance the need to pay a reasonable fee to content partners, including TV and movie companies, and also generate enough return on the substantial investment needed to keep streaming millions of videos around the world.
Noooooo, whyyyyy? This seems like a classic case of Warner cutting off its nose to spite its face. The comments on ONTD offer many testimonials to the effect that people discover new artists on YouTube because music channels such as MTV, VH1 and Fuse do not play music videos at peak hours anymore. We all know that the music industry is suffering, but do they have to punish the public? Repeatedly?
So users will increasingly turn to dailymotion and other sites which offer free viewing on demand. And Warner will have no revenue. SMART IDEA WARNER.
Friday, December 19, 2008
10 Reasons I Should Play the Flute Again
10. tonguing, fingering
9. It promotes good posture and proper breathing.
8. I can tell people that it takes the same amount of air to play the flute as to play the trombone and come off as an authority.
7. Chicks dig musicians.
6. Alan Wilder played the flute as a lad.
5. I can make money playing "Greensleeves" over and over again in downtown Boise.
4. So I can be like this guy.
3. So I can be more like David Carradine.
2. Maybe one day I can become a session musician or part of an indie band.
1. Because the flute is the badassiest instrument EVAR.
9. It promotes good posture and proper breathing.
8. I can tell people that it takes the same amount of air to play the flute as to play the trombone and come off as an authority.
7. Chicks dig musicians.
6. Alan Wilder played the flute as a lad.
5. I can make money playing "Greensleeves" over and over again in downtown Boise.
4. So I can be like this guy.
3. So I can be more like David Carradine.
2. Maybe one day I can become a session musician or part of an indie band.
1. Because the flute is the badassiest instrument EVAR.
Thursday, December 18, 2008
The Hazards of Being a Professional and a Fan
I am a fan. I mean that in the most general sense. I participate in many fandoms on different levels. I read fanfic - no joke. I'm actually working on a story for one of my fandom friends. Most fans dream of meeting the object of their affections. It's a strong passion - for some, an obsession. I will stand up and say it, sometimes it's hard for the fan to quiet down when the professional is needed.
For instance, I interviewed the very talented Spencer Cobrin for my school newspaper via MySpace. He was very kind and candid, great qualities in a subject. He even wished me a happy birthday a month or so later. I was a bit infatuated. I wished that we could somehow maintain correspondence and even be friends. Of course, that's not gonna happen. The most I can hope for is that I get to hang out with him for a bit when I work on my book. And that will have to be enough.
Maybe this is a bit of a lame post because it doesn't even take that much discipline to resist the urge to contact a musician because it's pretty obvious that your reputation would suffer as a consequence. But ain't gonna lie, it's very cool to talk to your idols. Duh.
For instance, I interviewed the very talented Spencer Cobrin for my school newspaper via MySpace. He was very kind and candid, great qualities in a subject. He even wished me a happy birthday a month or so later. I was a bit infatuated. I wished that we could somehow maintain correspondence and even be friends. Of course, that's not gonna happen. The most I can hope for is that I get to hang out with him for a bit when I work on my book. And that will have to be enough.
Maybe this is a bit of a lame post because it doesn't even take that much discipline to resist the urge to contact a musician because it's pretty obvious that your reputation would suffer as a consequence. But ain't gonna lie, it's very cool to talk to your idols. Duh.
Tuesday, December 16, 2008
VotD: "Where The Wild Roses Grow" sung by Nick Cave and Blixa Bargeld
I love love love both Nick Cave and Blixa Bargeld. Nick Cave is that guy who sings low a lot and sometimes acts. Blixa Bargeld is some German guy was involved in the industrial music scene. Very influential. His group Einstürzende Neubauten inspired Depeche Mode with their "found sound" experiments. Oh noes, Tom Cruise is going to accuse me of being glib.
Now to explain the video. I discovered this when I read that the girl part for "Where The Wild Roses Grow" was written for Blixa but the song was recorded as a duet with Nick Cave and Kylie Minogue. That version is pretty good (very good), but there's something magical about Blixa Bargeld, so I went searching on YouTube and hit paydirt.
Things I love about this video:
Nick Cave's dancing
Nick Cave touching Blixa and giving him a rose and singing at him
They hold hands at the end! Awwwwww
Now to explain the video. I discovered this when I read that the girl part for "Where The Wild Roses Grow" was written for Blixa but the song was recorded as a duet with Nick Cave and Kylie Minogue. That version is pretty good (very good), but there's something magical about Blixa Bargeld, so I went searching on YouTube and hit paydirt.
Things I love about this video:
Nick Cave's dancing
Nick Cave touching Blixa and giving him a rose and singing at him
They hold hands at the end! Awwwwww
Monday, December 15, 2008
SotD: "Down" by Dave Gahan
Maybe I should save this song for January or February when the snow can really get to a body, but I only heard the lyrics "and the snow is falling" for the first time last night. The chorus really brings up a delightfully awful image. Just listen!
Side note: You may wonder why I always link to YouTube. The answer is simple. I don't really know where one can hear full tracks for free legally and on demand (by which I mean through a search). If there is a solution to that problem, let me know.
The YouTube video (or still photo) probably isn't legal either, but I'm not really promoting copyright violation. I'll leave that to mp3 blogs and all those torrent folks.
Side note: You may wonder why I always link to YouTube. The answer is simple. I don't really know where one can hear full tracks for free legally and on demand (by which I mean through a search). If there is a solution to that problem, let me know.
The YouTube video (or still photo) probably isn't legal either, but I'm not really promoting copyright violation. I'll leave that to mp3 blogs and all those torrent folks.
Sunday, December 14, 2008
Superfans: likeanangel1826
I love superfans. Those people who spend hours thinking about the objects of their obsessions. They are kind of like archivists, kind-of-sort-of, in a way - shut up! No really, they put up countless clips on YouTube, providing tons of research materials for the casual fan, the serious fan, the fanfic writer, or the super srs bidness writer.
One such superfan that I've found likeanangel1826 is devoted to collecting Duran Duran clips. If you need to know anything about Simon, Nick, Andy, John, or Roger, the answer can be found within the 366 videos she's posted. My mind reels when I contemplate watching that much Duran Duran related footage.
I thank you, likeanangel1826, for all your hard work.
One such superfan that I've found likeanangel1826 is devoted to collecting Duran Duran clips. If you need to know anything about Simon, Nick, Andy, John, or Roger, the answer can be found within the 366 videos she's posted. My mind reels when I contemplate watching that much Duran Duran related footage.
I thank you, likeanangel1826, for all your hard work.
SotD: "Frosty the Snowman" sung by Harry Connick, Jr.
Guys, I have a huge crush on Harry Connick, Jr. I hardly know anything about him, but I think he's hot. And jazzy. Also, Rachel inexplicably owns Harry for the Holidays.
In celebration of all this plus the snow - and oh dear, it's coming down hard again - let's listen to this song that's cute but introduces children to death. Spoiler alert: Frosty melts. Bonus spoiler: he'll be back again some day.
Here you go!
In celebration of all this plus the snow - and oh dear, it's coming down hard again - let's listen to this song that's cute but introduces children to death. Spoiler alert: Frosty melts. Bonus spoiler: he'll be back again some day.
Here you go!
Saturday, December 13, 2008
My very own interview with Chris Dane Owens [dreamy sigh]
Yo, peeps. I thought I'd get the jump on a whole bunch of journalists/bloggers by talking to the man of the hour December, Christopher Dane Owens. But, dang sauce, the kids at the LA Times music blog, Pop & Hiss apparently had the same idea. They may have beat me by a few days, but I'm not bitter, oh no.
Now, ignore all that other stuff and READ THIS.
I discovered Chris Dane Owens at almost exactly the same moment everyone else did: Friday, December 5. Then I became curious when I saw the date that "Shine On Me" was posted to YouTube - October 3. How had it stayed hidden for so long? The world may never know, but we do know why thousands know about it now. Videogum and G4's Attack of the Show both mentioned "Shine On Me" and bloggers quickly got wind of it and spread the love aaaaaall around. My only regret is that I didn't find it in time for my birthday. That would have been the best birthday present ever.
"Shine On Me" has proven to be polarizing, with tweets from both the lovers and the haters; sometimes both at once. Bonus twitter search link here. I am firmly in the lover camp, by the way.
I decided to email Chris (we're TOTALLY on a first-name basis, y'all) requesting an interview and I found him to be super nice and very approachable. (Well, I mean, why would you be rude to a blogger - there's no reason for it.) I totally geeked out at his answers to my questions. We have kind of similar taste in music from the 80s. But enough about me, on to the interview!
SB: You're a film and television producer by profession. What made you get into music? How long have you been playing guitar?
CDO: I have been playing since I was 13. I met some guys at school who were doing a talent show and their bass player had to back out. They asked me if I wanted to do the show with them and join the band. Problem was, I not only didn't own a bass, I had never even played before. So I said Ok, and my parents helped me get my first bass. It was a beat up Gibson SG , and I practiced for the show until my fingers were mangled. I only had a few weeks to learn the 2 songs; Led Zep, and Aerosmith tunes. The show was really a blast for me, and I have been addicted to music ever since. I moved over to lead guitar about 2 years later. My first real guitar was a red BC Rich.
SB: The video for "Shine On Me" is pretty lavish. What was the inspiration for such a fancy music video?
CDO: I am a huge fan of Anime/ Manga, as well as films like Braveheart, LOTR, and The Matrix, ...So by far, that creative body, was the greatest influence.
Also, I went back to Tokyo right before I started storyboarding for the video and that totally lit my imagination on fire. The Anime culture is thriving, and everywhere I turned, I found something new that fascinated me, with its power, beauty, or whimsical humor.
So the director, and my long time friend, Bob Short and I turned to those sources quite a bit for inspiration. It's one of reasons there is so much wind blowing in a lot of our shots in the video. We wanted to capture as much energy as we could in otherwise static setups like the animators do in Anime. People were laughing at me on the set while filming the video, because I kept cranking up the turbo fans on the actresses playing the Witches and Angels. Some of the footage was so over the top you couldn't even see their faces through all the flying hair. But I loved it.
When we do the next installment in our series of music videos, I am planning on working with some of the Hollywood stunt coordinators I know, so we can really bring more fight/ battle action to the game. I also want to get the camera moving more, to bring more dynamism to the scenes.
SB: Speaking of the video, it recently got a lot of attention on the internet. I literally showed it to everyone I know. Have you been following all the blogs and buzz?
CDO: Thank you Sarah for your support. What happened was that I was working in the mix studio last Friday with Chris Garcia, and out of the blue the video got 11,000 hits that day. I thought it was a glitch on my iPhone. All sorts of e-mails came up from friends telling me something wild was happening. Then G4 Television did a small piece on it, and it has taken flight for the last week. No doubt it will cool off, but this small flurry has set a few things in motion that were very pleasant surprises for us.
As for the blogs and comments, I have been sent lots of the blogs and am totally blown away by some of the fantastic remarks and amazing reviews of the project. For lots of people, the video seems to be very uplifting, adventurous and heartwarming. And that feels great to all of us.
Of course on the dark side of the coin, is that there are the "Enemies of Love" who aren't into the video at all. Or they actually like the video, but don't spark to my song in any way. Or maybe they love the song, but can't stand my look (with or without mustache). I'm sure you get my drift. It's hard to make mass appeal entertainment. I have learned this through my career in TV. That's why we always said while making the Vid, that we are going for a particular audience and that we would be quite happy if the right people really resonated with our themes and imagery. Also, I have discovered that not everyone even likes these kind of fantasy projects. Some people want a much more grounded universe…
But I have noticed a shift however when some people learn about the Anime inspiration behind it all. Perhaps it explains things a bit.
SB: There are mentions of an international tour on your website and MySpace page. How big of a tour are you planning? What cities do you wish to play in? Do you want to play large venues or in a more intimate setting?
CDO: Yes, touring is a big part of my goal. In many ways, like lots of musicians, I would like to perform where ever the art is appreciated. Even if that's to 300 people in a small clubs in Tokyo. I am optimistic that we will play some good sized venues in certian cities. Japan will be first I think, however, we must finish mixing the record, and then we can set a course for the next goal. It's all about finding an audience who embrace the craft and messages.
SB: Much of the commentary I've seen compares "Shine On Me" to music made in the eighties. What is your reaction to this?
In that song in particular, from the album, I can see that! There will always be a place in my heart for musicians like The Cure, Big Country, Tears for Fears, ABC, and PIL [Author's (interviewer's?) note: psst, that would be Public Image Ltd., for those not in the know]. And as these people mostly gained notoriety in the 80's in particular, I would call that a portion of my 80's influence.
In "Shine On Me" We have a funky slap bass in the verse of that song that Damian Valentine my producer and writing partner played. My guitar work has some 70's / 80's funk to it as well. But mostly I believe it's the vocals that are probably vibing in an 80's style. I think the sliced up guitars modernize it a bit, but I agree with the comment. Conversely, our songs like "Wicked" and "Superhuman", are a complete 180 from that, as I do something more akin to vocal chants on those rock-techno tracks.
Since my deepest roots are really grounded in Led Zep, The Beatles, and most predominantly David Bowie. I never know how that influence is going to bleed through into my work.
These days my favorite groups are MCR, Rise Against, Foo fighters and Muse. So I like pulling inspiration from lots of places eras.
And a closing message from CDO to the fans:
As I jump off line now to give my thumbs a break, I want to express my gratitude to everyone who is enjoying the first video from the album. I know some people really want to know more about the 3rd Kingdom storyline and I look forward to telling that another time. Happy New Year!! CDO
Now, ignore all that other stuff and READ THIS.
I discovered Chris Dane Owens at almost exactly the same moment everyone else did: Friday, December 5. Then I became curious when I saw the date that "Shine On Me" was posted to YouTube - October 3. How had it stayed hidden for so long? The world may never know, but we do know why thousands know about it now. Videogum and G4's Attack of the Show both mentioned "Shine On Me" and bloggers quickly got wind of it and spread the love aaaaaall around. My only regret is that I didn't find it in time for my birthday. That would have been the best birthday present ever.
"Shine On Me" has proven to be polarizing, with tweets from both the lovers and the haters; sometimes both at once. Bonus twitter search link here. I am firmly in the lover camp, by the way.
I decided to email Chris (we're TOTALLY on a first-name basis, y'all) requesting an interview and I found him to be super nice and very approachable. (Well, I mean, why would you be rude to a blogger - there's no reason for it.) I totally geeked out at his answers to my questions. We have kind of similar taste in music from the 80s. But enough about me, on to the interview!
SB: You're a film and television producer by profession. What made you get into music? How long have you been playing guitar?
CDO: I have been playing since I was 13. I met some guys at school who were doing a talent show and their bass player had to back out. They asked me if I wanted to do the show with them and join the band. Problem was, I not only didn't own a bass, I had never even played before. So I said Ok, and my parents helped me get my first bass. It was a beat up Gibson SG , and I practiced for the show until my fingers were mangled. I only had a few weeks to learn the 2 songs; Led Zep, and Aerosmith tunes. The show was really a blast for me, and I have been addicted to music ever since. I moved over to lead guitar about 2 years later. My first real guitar was a red BC Rich.
SB: The video for "Shine On Me" is pretty lavish. What was the inspiration for such a fancy music video?
CDO: I am a huge fan of Anime/ Manga, as well as films like Braveheart, LOTR, and The Matrix, ...So by far, that creative body, was the greatest influence.
Also, I went back to Tokyo right before I started storyboarding for the video and that totally lit my imagination on fire. The Anime culture is thriving, and everywhere I turned, I found something new that fascinated me, with its power, beauty, or whimsical humor.
So the director, and my long time friend, Bob Short and I turned to those sources quite a bit for inspiration. It's one of reasons there is so much wind blowing in a lot of our shots in the video. We wanted to capture as much energy as we could in otherwise static setups like the animators do in Anime. People were laughing at me on the set while filming the video, because I kept cranking up the turbo fans on the actresses playing the Witches and Angels. Some of the footage was so over the top you couldn't even see their faces through all the flying hair. But I loved it.
When we do the next installment in our series of music videos, I am planning on working with some of the Hollywood stunt coordinators I know, so we can really bring more fight/ battle action to the game. I also want to get the camera moving more, to bring more dynamism to the scenes.
SB: Speaking of the video, it recently got a lot of attention on the internet. I literally showed it to everyone I know. Have you been following all the blogs and buzz?
CDO: Thank you Sarah for your support. What happened was that I was working in the mix studio last Friday with Chris Garcia, and out of the blue the video got 11,000 hits that day. I thought it was a glitch on my iPhone. All sorts of e-mails came up from friends telling me something wild was happening. Then G4 Television did a small piece on it, and it has taken flight for the last week. No doubt it will cool off, but this small flurry has set a few things in motion that were very pleasant surprises for us.
As for the blogs and comments, I have been sent lots of the blogs and am totally blown away by some of the fantastic remarks and amazing reviews of the project. For lots of people, the video seems to be very uplifting, adventurous and heartwarming. And that feels great to all of us.
Of course on the dark side of the coin, is that there are the "Enemies of Love" who aren't into the video at all. Or they actually like the video, but don't spark to my song in any way. Or maybe they love the song, but can't stand my look (with or without mustache). I'm sure you get my drift. It's hard to make mass appeal entertainment. I have learned this through my career in TV. That's why we always said while making the Vid, that we are going for a particular audience and that we would be quite happy if the right people really resonated with our themes and imagery. Also, I have discovered that not everyone even likes these kind of fantasy projects. Some people want a much more grounded universe…
But I have noticed a shift however when some people learn about the Anime inspiration behind it all. Perhaps it explains things a bit.
SB: There are mentions of an international tour on your website and MySpace page. How big of a tour are you planning? What cities do you wish to play in? Do you want to play large venues or in a more intimate setting?
CDO: Yes, touring is a big part of my goal. In many ways, like lots of musicians, I would like to perform where ever the art is appreciated. Even if that's to 300 people in a small clubs in Tokyo. I am optimistic that we will play some good sized venues in certian cities. Japan will be first I think, however, we must finish mixing the record, and then we can set a course for the next goal. It's all about finding an audience who embrace the craft and messages.
SB: Much of the commentary I've seen compares "Shine On Me" to music made in the eighties. What is your reaction to this?
In that song in particular, from the album, I can see that! There will always be a place in my heart for musicians like The Cure, Big Country, Tears for Fears, ABC, and PIL [Author's (interviewer's?) note: psst, that would be Public Image Ltd., for those not in the know]. And as these people mostly gained notoriety in the 80's in particular, I would call that a portion of my 80's influence.
In "Shine On Me" We have a funky slap bass in the verse of that song that Damian Valentine my producer and writing partner played. My guitar work has some 70's / 80's funk to it as well. But mostly I believe it's the vocals that are probably vibing in an 80's style. I think the sliced up guitars modernize it a bit, but I agree with the comment. Conversely, our songs like "Wicked" and "Superhuman", are a complete 180 from that, as I do something more akin to vocal chants on those rock-techno tracks.
Since my deepest roots are really grounded in Led Zep, The Beatles, and most predominantly David Bowie. I never know how that influence is going to bleed through into my work.
These days my favorite groups are MCR, Rise Against, Foo fighters and Muse. So I like pulling inspiration from lots of places eras.
And a closing message from CDO to the fans:
As I jump off line now to give my thumbs a break, I want to express my gratitude to everyone who is enjoying the first video from the album. I know some people really want to know more about the 3rd Kingdom storyline and I look forward to telling that another time. Happy New Year!! CDO
Friday, December 12, 2008
SotD: "Into My Arms" by Nick Cave and the Bad Seeds
This is one of my absolute favorite songs of all time. So. Damn. Awesome.
I will marry Nick Cave someday.
I will marry Nick Cave someday.
Wednesday, December 10, 2008
Marvel at what Rolling Stone magazine deems the best albums of 2008
... and feel your skull implode here
And that's why everyone thinks Rolling Stone is a joke.
More reaction Here
I'll admit straight up that I haven't listened to anything by the Jonas Brothers except what I saw on the VMAs but, oh my god why are they on this list. And you wonder why musicians hate journalists.
And that's why everyone thinks Rolling Stone is a joke.
More reaction Here
I'll admit straight up that I haven't listened to anything by the Jonas Brothers except what I saw on the VMAs but, oh my god why are they on this list. And you wonder why musicians hate journalists.
Tuesday, December 9, 2008
Free "Prey" remix for "Xmas"
Monday, December 8, 2008
The English Beat Dec.8 The Knitting Factory, Boise
My sister and I arrived at the venue at the perfect moment. The headliners were on stage and just starting their set. Unfortunately that means I can't comment on the opening bands, sorry. But I was quite surprised at how many people were in the building, considering that the streets of downtown Boise were eerily empty. Rachel asked me if there was a zombie outbreak. I told her that I didn't think so.
On to the show! We were not the youngest people in the crowd, I don't think. Understandably there were quite a few olda peeps. That's my sort of crowd. They know how to act and alcohol can help the good vibes spread to everyone. I found myself grinning widely as I was bopping my head to the bouncy beat.
I found Dave Wakeling to be a puzzling chap. He rambled through strange setups that segued clumsily into the songs. Rach and I heard several people ask their friends, "What is he saying?" "I have no idea." Here is, as far as I could make out, what he said during one of them:
"It's so nice to drive out of California to where there are seasons. The only way you know it's winter in California is if it smells like burning. I was so excited when we got our first chain advisory."
and then he said something about being in Birmingham and it was so dreary that suicide was a tempting option, if only he had the courage for it. I found it highly amusing, but no one in the audience seemed to understand either A) him or B) why what he was saying was relevant.
But the music. The music was beautiful to me. This is partially because it's been two months (!!!) since my last show and longer than that since I've been to a good show. Dave Wakeling noted the crowd's response to the ska songs and said, "It's going to be a 2 Tone night." That was exactly what I was hoping for. I love how there are at least two different rhythms to dance to with ska and it's still okay. You can be bouncy and fast or slow and swaying. The crowd got amped for "Hands Off She's Mine", "Tenderness" (the General Public song, remember?), and "Mirror in the Bathroom", which people had been calling for since the beginning. I wanted "Mirror" to last forever. I'm not even joking. It was musical bliss for me. Then there was a short break between the main set and the encore; they didn't fuck around.
At one point the band led the audience in a chant for Barack Obama during a breakdown, replacing actual lyrics. But I don't really the song titles since I'm not really a big English Beat fan.
So all in all, Dave Wakeling is strange and the band was awesome.
On to the show! We were not the youngest people in the crowd, I don't think. Understandably there were quite a few olda peeps. That's my sort of crowd. They know how to act and alcohol can help the good vibes spread to everyone. I found myself grinning widely as I was bopping my head to the bouncy beat.
I found Dave Wakeling to be a puzzling chap. He rambled through strange setups that segued clumsily into the songs. Rach and I heard several people ask their friends, "What is he saying?" "I have no idea." Here is, as far as I could make out, what he said during one of them:
"It's so nice to drive out of California to where there are seasons. The only way you know it's winter in California is if it smells like burning. I was so excited when we got our first chain advisory."
and then he said something about being in Birmingham and it was so dreary that suicide was a tempting option, if only he had the courage for it. I found it highly amusing, but no one in the audience seemed to understand either A) him or B) why what he was saying was relevant.
But the music. The music was beautiful to me. This is partially because it's been two months (!!!) since my last show and longer than that since I've been to a good show. Dave Wakeling noted the crowd's response to the ska songs and said, "It's going to be a 2 Tone night." That was exactly what I was hoping for. I love how there are at least two different rhythms to dance to with ska and it's still okay. You can be bouncy and fast or slow and swaying. The crowd got amped for "Hands Off She's Mine", "Tenderness" (the General Public song, remember?), and "Mirror in the Bathroom", which people had been calling for since the beginning. I wanted "Mirror" to last forever. I'm not even joking. It was musical bliss for me. Then there was a short break between the main set and the encore; they didn't fuck around.
At one point the band led the audience in a chant for Barack Obama during a breakdown, replacing actual lyrics. But I don't really the song titles since I'm not really a big English Beat fan.
So all in all, Dave Wakeling is strange and the band was awesome.
Your light of love shined on me and I jizzed in my pants
I owe a lot to bestweekever.tv, but nothing I can do can make up for being shown this video by Chris Dane Owens. I have trouble expressing my feelings about this music video and song. Suffice it to say, there are unmatched levels of joy in my life now.
But first, a little background info. When I first heard of this, I looked up Chris Dane Owens on Wikipedia but dude didn't have a page. He does, however, have a page on imdb. This man, whose lyrical creations light up my ears, is a television and film producer and he is the son of Gary Owens whom I know best as Dirk Niblick from Square One Television.
My early comments upon viewing the clip:
"Is he trying to look like Cary Elwes?"
"I like that if you just listen to the music, it is impossible to tell what year this was made." I mean that in the best way possible. I have memories of sitting in the car as a child and listening to jams like this, circa 1990.
and simply "WHAT THE FUCK" as I sat there in awe.
"Shine On Me" appears on the album Blue Stone which comes out in February. The physical CD will come with a letterbox version of the "Shine" video. Well, I'm sold.
That video is vying for my attention as it's time for the SNL Digital Short holiday song. We all remember "Lazy Sunday" and "Dick in a Box". Now we can add "Jizz in My Pants" to that list. This song is the first single from The Lonely Island's debut album "INCREDIBAD". In stores 2/10/2009. THE DUDES ARE RELEASING AN ALBUM. That's super Ka-blamo, y'all.
PS I'm stupidly pleased with my post title.
But first, a little background info. When I first heard of this, I looked up Chris Dane Owens on Wikipedia but dude didn't have a page. He does, however, have a page on imdb. This man, whose lyrical creations light up my ears, is a television and film producer and he is the son of Gary Owens whom I know best as Dirk Niblick from Square One Television.
My early comments upon viewing the clip:
"Is he trying to look like Cary Elwes?"
"I like that if you just listen to the music, it is impossible to tell what year this was made." I mean that in the best way possible. I have memories of sitting in the car as a child and listening to jams like this, circa 1990.
and simply "WHAT THE FUCK" as I sat there in awe.
"Shine On Me" appears on the album Blue Stone which comes out in February. The physical CD will come with a letterbox version of the "Shine" video. Well, I'm sold.
That video is vying for my attention as it's time for the SNL Digital Short holiday song. We all remember "Lazy Sunday" and "Dick in a Box". Now we can add "Jizz in My Pants" to that list. This song is the first single from The Lonely Island's debut album "INCREDIBAD". In stores 2/10/2009. THE DUDES ARE RELEASING AN ALBUM. That's super Ka-blamo, y'all.
PS I'm stupidly pleased with my post title.
Thursday, December 4, 2008
Fun leetle game
I know I blather on about Depeche Mode too damn much, but this is a fun little game. I'm pretty good at name that tune style games, but some of the scores on the board are ridiculous.
Monday, December 1, 2008
Diamond Dogs by David Bowie
Diamond Dogs (1974) is one of my favorite albums of all time. In this day and age (as I type this I'm waving my cane menacingly at some kids driving too fast) where no one listens to albums anymore and players are always on shuffle, it seems rare to talk about an album as a complete work of art rather than a collection of songs. Which is why I quietly recommend favorite albums.
I feel that Diamond Dogs should be listened to all together. It doesn't take long, the runtime is only 38:25. And all the songs are gems, from the intro track "Future Legend" to "Chant of the Ever Circling Skeletal Family" the album flows smoothly. It's odd how cohesive this album is when considering that many of the songs were written for a failed theatrical production of George Orwell's 1984. David Bowie smooshed together the 1984 music with other tracks and bam - concept album centered around the theme of a post-apocalyptic society. MUSICAL ALCHEMY.
My particular favorite moment is the "Sweet Thing"/"Candidate"/"Sweet Thing (reprise)", what, suite? That's how it's referred to on Wikipedia. It's absolutely gorgeous. Equally lush is "We Are the Dead".
The album was co-produced by Tony Visconti, whom I lovingly refer to as Tony V, despite the fact that I probably shouldn't take such liberties. Visconti would go on to work closely with Bowie for much of the rest of the 70s.
I feel that Diamond Dogs should be listened to all together. It doesn't take long, the runtime is only 38:25. And all the songs are gems, from the intro track "Future Legend" to "Chant of the Ever Circling Skeletal Family" the album flows smoothly. It's odd how cohesive this album is when considering that many of the songs were written for a failed theatrical production of George Orwell's 1984. David Bowie smooshed together the 1984 music with other tracks and bam - concept album centered around the theme of a post-apocalyptic society. MUSICAL ALCHEMY.
My particular favorite moment is the "Sweet Thing"/"Candidate"/"Sweet Thing (reprise)", what, suite? That's how it's referred to on Wikipedia. It's absolutely gorgeous. Equally lush is "We Are the Dead".
The album was co-produced by Tony Visconti, whom I lovingly refer to as Tony V, despite the fact that I probably shouldn't take such liberties. Visconti would go on to work closely with Bowie for much of the rest of the 70s.
Friday, November 28, 2008
Black Friday SotD: "Black Celebration" by Depeche Mode
What else would I choose to celebrate the blackest of all retail days? Here's hoping my dad's store (Nafziger's Men Store, ask for Craig) had tons of business. (Gosh, they need a website!)
Let's have a black celebration ... to celebrate the fact that we've seen the back of another black day.
Let's have a black celebration ... to celebrate the fact that we've seen the back of another black day.
Monday, November 24, 2008
Twilight
I have ducked my head throughout this whole Twilight thing. Well that's not entirely true. I've read tons of snarky analyses and critiques of the books and so I know the basic plotlines and who these unlikable characters are and that SMeyers likes LINKIN PARK and writes about towns in Washington she knows next to nothing about. (Given a choice I would not go dress shopping in Port Angeles, for example, and neither would Bella and her friends. BUT I would eat at Taco Time.) But I have definitely not read the books.
Well, the internet informs me that there are bands that have formed which write music inspired by this terrible series. And I have not listened to a note of it! I got my fill of this sort of thing with Wizard Rock, AKA Wrock.
If you are interested, check this out: The Bella Cullen Project, perhaps the first Twilight band. Hey, they're no Harry and the Potters.
Well, the internet informs me that there are bands that have formed which write music inspired by this terrible series. And I have not listened to a note of it! I got my fill of this sort of thing with Wizard Rock, AKA Wrock.
If you are interested, check this out: The Bella Cullen Project, perhaps the first Twilight band. Hey, they're no Harry and the Potters.
SotD: "Beautiful Dream" by Adam Ant
Adam Ant's last album Wonderful came out in 1995, which of course means he's hardly relevant anymore. And yet, he is one influential dude. Bands have totally bitten his military/gypsy/American Indian-inspired style, including Coldplay. Of course he was so over that stuff in the nineties and he was making music with long time writing partner Marco Pirroni and Boz Boorer of Morrissey fame.
This single, written without the help of Boorer, is a tale of love, lust, biology, and safe sex. It also kind of reminds me of "The River of Dreams" by Billy Joel.
This single, written without the help of Boorer, is a tale of love, lust, biology, and safe sex. It also kind of reminds me of "The River of Dreams" by Billy Joel.
Friday, November 21, 2008
Local News: The Bouquet is back!
Boise bar and music venue the Bouquet is reopening tonight after an extensive remodel. Tonight there is a reopening party (cover free!) sponsored by Red Bull.
The Bouquet is located at 1010 W. Main St.
Before the remodel (and possibly under different management) Thomas Dolby and Martin Fry performed there. I hope we can expect such big, yet irrelevant, names. I'm actually serious, I would love to see Thomas Dolby and Martin Fry.
The Bouquet is located at 1010 W. Main St.
Before the remodel (and possibly under different management) Thomas Dolby and Martin Fry performed there. I hope we can expect such big, yet irrelevant, names. I'm actually serious, I would love to see Thomas Dolby and Martin Fry.
Wednesday, November 19, 2008
SotD: "Johnny and Mary" by Robert Palmer
Robert Palmer was the man. He's best known for the videos featuring models pretending to play instruments while all looking the same (and it's been parodied countless times, see: Love Actually). It's more than a little bit sexist but it's also a lot sexy and makes for a great Halloween costume for twins. The video for Johnny and Mary sucks. I mean, it's really bad. One really stupid gripe is that you can't comb your hair like that or you would pull all your hair out. BUT I chose this song for SotD because it's a solid song.
Monday, November 17, 2008
Call for scholarly works about Morrissey
This news item posted at Morrissey Solo cracked me up. Ever since I read something I got off JSTOR about the Smiths, I've been tempted A) to subscribe to that journal and B) to write little articles myself. Unfortunately it's been too long since I've done some cultural studyin' and I'm all out of practice. On a final note, that's my kind of symposium, yo.
Saturday, November 15, 2008
SotD: "Trans Europe Express" by Kraftwerk
Goodness, I fell behind
In show-I-will-totally-be-checking-out news, the English Beat are coming! And it's only $15 dollars. These dudes are known for doing the song "Mirror in the Bathroom" which is a strange but catchy song that I only found out about when watching Never Mind the Buzzcocks.
Show info:
The English Beat @ the Knitting Factory appearing Dec. 8 (with the revolver [get it? it's a Clue joke!])
Show info:
The English Beat @ the Knitting Factory appearing Dec. 8 (with the revolver [get it? it's a Clue joke!])
Labels:
Boise,
live music,
The English Beat,
the Knitting Factory
Wednesday, November 12, 2008
Today is a lazy day
I'm too busy feeling ennui over the movie to be made about Monopoly.
http://www.bestweekever.tv/2008/11/12/open-thread-worst-band-to-put-on-a-mix/
http://www.bestweekever.tv/2008/11/12/open-thread-worst-band-to-put-on-a-mix/
SotD: "Steppin' Out" by Joe Jackson
This song has been stuck in my head for the past half week or so. Joe Jackson is most famous for this song and "Is She Really Going Out with Him?" Jackson helped bring the New Wave sound to the United States in the late '70s. And for that I thank him. And how can anyone forget his work with William Shatner on the cover of Pulp's "Common People" for Has Been?
I love this song for its optimistic and anticipatory lyrics. The perfect Friday night jam.
I love this song for its optimistic and anticipatory lyrics. The perfect Friday night jam.
Tuesday, November 11, 2008
The Enthusiastic Recommendation: Dirk Wears White Sox
Dirk Wears White Sox (1979) was the first LP released by Adam and the Ants. This features a pre-Marco Pirroni Adam and the Ants lineup and the difference is evident when comparing Kings of the Wild Frontier and Prince Charming with Dirk.
I love the post-punk imagery - playing with fetishism ("Whip In My Valise") and politically charged lyrics. Adam used to perform in bondage gear and I think he wore a gimp mask at some point. The sound is much heavier and slower than the more New Wave-y sound of later Adam and the Ants and yet it is still catchy as hell.
One song is both fun AND educational! "Catholic Day" can work as a way to remember which year JFK was assassinated - "Kennedy died in '63/Poor John F.-" - and thus unable to continue turning on the middle-aged ladies or playing with Monroe.
I love the post-punk imagery - playing with fetishism ("Whip In My Valise") and politically charged lyrics. Adam used to perform in bondage gear and I think he wore a gimp mask at some point. The sound is much heavier and slower than the more New Wave-y sound of later Adam and the Ants and yet it is still catchy as hell.
One song is both fun AND educational! "Catholic Day" can work as a way to remember which year JFK was assassinated - "Kennedy died in '63/Poor John F.-" - and thus unable to continue turning on the middle-aged ladies or playing with Monroe.
Sunday, November 9, 2008
In Which I Turn My Lame Celebrity Crush Into Blog Fodder
I've loved John Francis Daley since Freaks and Geeks and I am ecstatic to see him weekly on Bones as Dr. Lance Sweets. So of course, Wikipedia is my friend when I wanted to know how old the dude is. [Answer: totally my age!]
So I'm reading the Wiki article when I see that Daley is the keyboard player for a band called Dayplayer. What do I think? PRETTY DECENT.
Coincidentally this is how I found out about Sean Biggerstaff's (by the way, what a delightfully phallic surname - er, is that just me?) band Jonny and the Robots.
So I'm reading the Wiki article when I see that Daley is the keyboard player for a band called Dayplayer. What do I think? PRETTY DECENT.
Coincidentally this is how I found out about Sean Biggerstaff's (by the way, what a delightfully phallic surname - er, is that just me?) band Jonny and the Robots.
Saturday, November 8, 2008
Song lyric tattoos/music tattoos: lame or awesome?
So as tattooing is on the rise in the West and in the United States, the number of song lyric/pop music tattoos is also on the rise. I have seen tons of Morrissey tattoos in my time. (There's a webpage somewhere...) I found it odd that most Moz tattoos seemingly fall into one of three categories: "There Is A Light That Never Goes Out", "Viva Hate" and variations on "Morrissey" (his autograph, "Moz", his name, etc.) I'll admit, I want a Morrissey-related tattoo; it doesn't fall into any of the aforementioned categories and it serves as a nice life philosophy: "Sing Your Life". Hokey and cheesy, I know.
The word around the bad tattoo LiveJournal communities is that there is no such thing as a good ICP-inspired tattoo, and many other music-related tattoos don't come out looking much better. Writing this paragraph gave me the idea to get Old Lesbian!Geddy Lee tattooed on my bicep. BAD IDEA!
Rachel and I wanted to come up with a whole series of "[insert musician name] here" stick figure tattoos after a comment in a bad tattoos community. The comment ran along the lines of "Every Morrissey tattoo is made awesome by the fact that it is a Morrissey tattoo. You could have a stick figure with an arrow saying "Morrissey here" and it'd be awesome." This appeared on an entry where the portrait made Mozza look like an American Indian. Ooh, I saw a portrait tattoo of Billy Idol and it looked kind of like Adam Ant and it gave me the very wrong idea to get this on my back in full Technicolor brilliance. If I knew that I wouldn't regret it and I had a good artist and thousands of dollars, I would get that. But enough about me.
Related links: http://community.livejournal.com/lyrical_ink/
http://community.livejournal.com/literarytattoos/ (sometimes includes song lyrics)
The word around the bad tattoo LiveJournal communities is that there is no such thing as a good ICP-inspired tattoo, and many other music-related tattoos don't come out looking much better. Writing this paragraph gave me the idea to get Old Lesbian!Geddy Lee tattooed on my bicep. BAD IDEA!
Rachel and I wanted to come up with a whole series of "[insert musician name] here" stick figure tattoos after a comment in a bad tattoos community. The comment ran along the lines of "Every Morrissey tattoo is made awesome by the fact that it is a Morrissey tattoo. You could have a stick figure with an arrow saying "Morrissey here" and it'd be awesome." This appeared on an entry where the portrait made Mozza look like an American Indian. Ooh, I saw a portrait tattoo of Billy Idol and it looked kind of like Adam Ant and it gave me the very wrong idea to get this on my back in full Technicolor brilliance. If I knew that I wouldn't regret it and I had a good artist and thousands of dollars, I would get that. But enough about me.
Related links: http://community.livejournal.com/lyrical_ink/
http://community.livejournal.com/literarytattoos/ (sometimes includes song lyrics)
Friday, November 7, 2008
2 Bits!
IAMX'S new single available for free! Yippie skippie.
Download here (right click and all that)
Depeche Mode posted a new video from in the studio.
Irritatingly brief, DM!
Download here (right click and all that)
Depeche Mode posted a new video from in the studio.
Irritatingly brief, DM!
Wednesday, November 5, 2008
Well, gosh
Ovbs. I was too busy voting as hard as I could to write an entry yesterday, but a quick trawl of MySpace gives me a couple news snippets.
The new IAMX single, THINK OF ENGLAND, will be available for free download on Nov 7.
More info to come. (http://www.myspace.com/iamx)
The video for the Streets' single Heaven For The Weather is on YouTube
Which reminds me that I was going to do a full review of the new album by the Streets, but I've only listened to it once all the way through and I can say that I was a bit disappointed. I'm a bit reluctant to listen to it all the way through again, but I am positive that it will grow on me in time. (Remember that it takes me a long time to digest a new album.) I think that I want all the Streets albums to sound like Original Pirate Material (which I think is very brilliant) but that just can't be.
The new IAMX single, THINK OF ENGLAND, will be available for free download on Nov 7.
More info to come. (http://www.myspace.com/iamx)
The video for the Streets' single Heaven For The Weather is on YouTube
Which reminds me that I was going to do a full review of the new album by the Streets, but I've only listened to it once all the way through and I can say that I was a bit disappointed. I'm a bit reluctant to listen to it all the way through again, but I am positive that it will grow on me in time. (Remember that it takes me a long time to digest a new album.) I think that I want all the Streets albums to sound like Original Pirate Material (which I think is very brilliant) but that just can't be.
Monday, November 3, 2008
Totally late, but...
New song about Russell Brand by Federal Drugs Administration
"Yeah yeah, any bloody news story and we're on it like herpes."
"Yeah yeah, any bloody news story and we're on it like herpes."
Years of Refusal tour, "break the bank" bands
So I'm already remiss in my participation in NaBloPoMo. Awesome. Yesterday was a bummer of a day as yours truly was so broke it hardly made it worth it to go to the Vinyl Show and Swap. What if, had I gone, I won one of the raffle prizes? Oh well.
I've been thinking about shows. It's been quite some time since I've seen live music. Last concert was the MSI show that left me a feeling a bit cold. But I always look forward to bigger and better things...
Such as the fact that Morrissey announced the release day of his new album Years of Refusal. FEBRUARY 23! That day will also kick off the US leg of his tour to support the album. I've never seen Mozza live and some may say he's peaked but Morrissey is one of my "break the bank" bands.
All music lovers have artists they dream of seeing live, artists who mean so much that we would empty our bank accounts to catch them. It just so happens that two of my "break the bank" bands are touring this year, luckily half a year apart, Morrissey and Depeche Mode. I have others but it's less likely that I will see them live. It appears that Bowie is in semi-retirement. Iman said he was writing the followup to Reality at least three years ago. But I digress.
I haven't really thought about it, but we've also spent a lot of money on two other big name acts: Rolling Stones and Rush. Now these acts, especially the Rolling Stones, are waaaaaay past their golden days, but that doesn't mean I didn't enjoy every second they played for us. Even from way up in the stadium I felt the sexual energy coming off Mick Jagger. *giggle*
I wanted to see Rush ever since my brother saw them live and I stole his Grace Under Pressure cassette. I've memorized the little staticky pops and it always gives me pause when I hear those songs now. The show I saw was great, even if they played too many new songs when I just wanted their classics. Also, Geddy Lee looks like an old lesbian.
So tell me: who are your break the bank bands?
I've been thinking about shows. It's been quite some time since I've seen live music. Last concert was the MSI show that left me a feeling a bit cold. But I always look forward to bigger and better things...
Such as the fact that Morrissey announced the release day of his new album Years of Refusal. FEBRUARY 23! That day will also kick off the US leg of his tour to support the album. I've never seen Mozza live and some may say he's peaked but Morrissey is one of my "break the bank" bands.
All music lovers have artists they dream of seeing live, artists who mean so much that we would empty our bank accounts to catch them. It just so happens that two of my "break the bank" bands are touring this year, luckily half a year apart, Morrissey and Depeche Mode. I have others but it's less likely that I will see them live. It appears that Bowie is in semi-retirement. Iman said he was writing the followup to Reality at least three years ago. But I digress.
I haven't really thought about it, but we've also spent a lot of money on two other big name acts: Rolling Stones and Rush. Now these acts, especially the Rolling Stones, are waaaaaay past their golden days, but that doesn't mean I didn't enjoy every second they played for us. Even from way up in the stadium I felt the sexual energy coming off Mick Jagger. *giggle*
I wanted to see Rush ever since my brother saw them live and I stole his Grace Under Pressure cassette. I've memorized the little staticky pops and it always gives me pause when I hear those songs now. The show I saw was great, even if they played too many new songs when I just wanted their classics. Also, Geddy Lee looks like an old lesbian.
So tell me: who are your break the bank bands?
Saturday, November 1, 2008
Vinyl Preservation Society events
I might participate in NaBloWriMo in my constant efforts to improve this blog. So that means at least 30 wonderful updates in the month of November! In local news, Boise's own Vinyl Preservation Society celebrates one year with its inaugural vinyl swap. Sorry for the short notice, but the event takes place on Sunday. TONIGHT there's also a party to kick off the event. So let me break it down:
What: VPS anniversary party
When: Saturday, Nov. 1, 8 pm
Where: Linen Building, 1402 W. Grove St.
How much: $1 (admission restricted due to space, so get there early!)
What:Record Show and Swap
When: Sunday, Nov. 2, 10am-4pm
Where: same place as the party
How much: early admission 9 a.m., $10; regular admission 10 a.m., $2.
Related link: The Vinyl Preservation Society website
VPS write up in the Boise Weekly
What: VPS anniversary party
When: Saturday, Nov. 1, 8 pm
Where: Linen Building, 1402 W. Grove St.
How much: $1 (admission restricted due to space, so get there early!)
What:Record Show and Swap
When: Sunday, Nov. 2, 10am-4pm
Where: same place as the party
How much: early admission 9 a.m., $10; regular admission 10 a.m., $2.
Related link: The Vinyl Preservation Society website
VPS write up in the Boise Weekly
Wednesday, October 29, 2008
My thoughts on music books.
This is an essay I've been thinking about writing for a long time. A common complaint I've read about many music books is that all the information therein is readily accessible on the internet. Even if that is true, I think that a few things justify a book. First of all, people are incredibly lazy. It takes a certain person to do more than a cursory search. A very curious person. A slightly deranged person. (Hey, I'm describing myself here.) Second, nothing on the internet feeeeeels permanent, from an academic standpoint. Unless, it's on one of those really legit websites and not a dodgy fansite. Fansites are great for compiling trivia, but they're not always kept up well, or even updated all that often. Third, music journalism is not just about compiling facts, it's also about interpretation. As a journalist, or even a music journalist, one can try and place the subject in context, a factual framework. This is the important part. This is what separates hobbyists from the professionals - the fact collectors from those who do something with those facts. Fourth, a good writer presents information in a factual, yet readable way. Similarly, things which appear in print also have an air of credibility. You don't believe everything you read on the internet, do you?
So yes, the internet may make things a bit complicated for music journalism and music history, but it hardly makes music books obsolete.
So yes, the internet may make things a bit complicated for music journalism and music history, but it hardly makes music books obsolete.
Friday, October 24, 2008
Shared experiences on the 'net.
R Stevens of Diesel Sweeties fame was struck by the shared experience of watching the debate and twittering about it. He liked it so much that he organized a twitter event to relive that feeling. Yesterday at 8:00 EST many people listened to the original version of Thriller AS ONE. And twittered about it. Future events are in the works. Pixies?
An ill-written rant.
The economy. Ugh. I don't even want to mention it. But as we all tighten our belts, we can still enjoy new music - well, to borrow from NBC, it's not new but it's new to you. My solution is BUDGET VINYL and USED CDS. Not revolutionary by any means. It's just that I'm proud to say that I buy records for $.99. For a buck, it's hard to feel any buyer's remorse, even if the album sucks. Rach and I are the proud owners of The Lexicon of Love, Rumours, two Robert Palmer albums, and many more.
Not that I'm a vinyl freak by any stretch of the imagination. Basically, I grew up on Disney soundtracks and Engelbert Humperdink and The Beach Boys. I didn't really see the huge appeal of records.
The price of new vinyl? Totally cheeses me off. Rach and I were looking at the rock section and Playing the Angel costs almost $25. Give me a break, recording industry. Not to be nostalgic for a time I wasn't even alive, but the Smiths released Hatful of Hollow at an attractive price. THERE WAS A REASON FOR THIS. They wanted to move lots of units. And it worked. Imagine that.
Oh yeah, go to The Record Exchange to get cheap vinyl and be all cool and support independent record stores, if you're in Boise, that is.
Not that I'm a vinyl freak by any stretch of the imagination. Basically, I grew up on Disney soundtracks and Engelbert Humperdink and The Beach Boys. I didn't really see the huge appeal of records.
The price of new vinyl? Totally cheeses me off. Rach and I were looking at the rock section and Playing the Angel costs almost $25. Give me a break, recording industry. Not to be nostalgic for a time I wasn't even alive, but the Smiths released Hatful of Hollow at an attractive price. THERE WAS A REASON FOR THIS. They wanted to move lots of units. And it worked. Imagine that.
Oh yeah, go to The Record Exchange to get cheap vinyl and be all cool and support independent record stores, if you're in Boise, that is.
Friday, October 17, 2008
Youtube surfing
Rachel and I were on a youtube kick and we first looked at literal "Head Over Heels", the followup to literal "Take On Me". Then we got to watching all the dorky Tears For Fears videos we could stand and then our thoughts naturally turned to Depeche Mode. Basically, I've watched all but a couple of the videos on this list. Twice. It takes four hours. That says a lot about my life.
But on to the thrust of the story. I found that the DM press conference from Oct. 6 was posted on youtube. (Part one of five here). What I learned: not much because I already know tons of DM trivia, but I did find out that I like Martin Gore's chuckle. And if I ever met him I'd just ask him to laugh. That says a lot about me? Also, they are quite funny, as one of the press mentioned. Dave Gahan even made a Sarah Palin reference. It didn't make a whole lotta sense, but A for effort, Dave!
Related link: Depeche Mode dot com, still under construction
But on to the thrust of the story. I found that the DM press conference from Oct. 6 was posted on youtube. (Part one of five here). What I learned: not much because I already know tons of DM trivia, but I did find out that I like Martin Gore's chuckle. And if I ever met him I'd just ask him to laugh. That says a lot about me? Also, they are quite funny, as one of the press mentioned. Dave Gahan even made a Sarah Palin reference. It didn't make a whole lotta sense, but A for effort, Dave!
Related link: Depeche Mode dot com, still under construction
Tuesday, October 14, 2008
SotD: "Androgynoel" by Federal Drugs Administration
I'm a big fan of Noel Fielding and Julian Barratt and all of those under the name The Mighty Boosh, so this song made me laugh and I felt in on the joke. Supposedly this song was inspired by a real life conversation. Someone actually said something along the lines of "I wish you were more like Noel Fielding." I quickly friended them on MySpace and that's when I found out that they post a new song each week! That's pretty great, don't you think? Their music is now available on itunes, as their page states.
Friday, October 10, 2008
SotD: "Money (That's What I Want)" by The Flying Lizards
Inspired by my current monetary situation. Enjoy!
Thursday, October 9, 2008
Bits and Pieces
Is it sad that I get music news off MySpace? Well, I trawl so you don't have to.
Scott Matthew is working on his second solo album and Spencer Cobrin announced recently (ha! more like ages ago.) that he's in on that project. Yippy skippy. And as I still don't think his first album is available in the US I'm S.O.L. So I make do with what is posted on Matthew's and Cobrin's MySpace pages. (Related and none of my business: Gary Day totally left a comment on Spencer's MySpace! *Fangirl squee!*)
Depeche Mode dot com is under construction and the revamped site will be up and running "soon" to reflect the new album underway. There was a press conference in Berlin early Monday morning in the US that featured snippets of two new songs. YouTube videos were quickly taken down. The press conference was to confirm the new tour "Tour of the Universe" European dates (scroll a bit, there you go). No telling when they will announce the dates for the North American leg.
Moby and a friend made a video which he described as a punk version of Making the Band. I haven't watched it yet, oops.
I think that the UK release of Robots in Disguise single "The Tears" was today. Do they even have US distribution? Somehow I don't think so. Video
The US release of The Streets' new album Everything Is Borrowed was Tuesday. I haven't listened to this yet, but expect some commentary from me soon.
Adam Ant totally won an award from Q Magazine and jokingly mentioned that Coldplay was fully biting his style, dudes.(more on Family of Noise
MySpace tells me that The Slants are looking for a new drummer.
Scott Matthew is working on his second solo album and Spencer Cobrin announced recently (ha! more like ages ago.) that he's in on that project. Yippy skippy. And as I still don't think his first album is available in the US I'm S.O.L. So I make do with what is posted on Matthew's and Cobrin's MySpace pages. (Related and none of my business: Gary Day totally left a comment on Spencer's MySpace! *Fangirl squee!*)
Depeche Mode dot com is under construction and the revamped site will be up and running "soon" to reflect the new album underway. There was a press conference in Berlin early Monday morning in the US that featured snippets of two new songs. YouTube videos were quickly taken down. The press conference was to confirm the new tour "Tour of the Universe" European dates (scroll a bit, there you go). No telling when they will announce the dates for the North American leg.
Moby and a friend made a video which he described as a punk version of Making the Band. I haven't watched it yet, oops.
I think that the UK release of Robots in Disguise single "The Tears" was today. Do they even have US distribution? Somehow I don't think so. Video
The US release of The Streets' new album Everything Is Borrowed was Tuesday. I haven't listened to this yet, but expect some commentary from me soon.
Adam Ant totally won an award from Q Magazine and jokingly mentioned that Coldplay was fully biting his style, dudes.(more on Family of Noise
MySpace tells me that The Slants are looking for a new drummer.
SotD: "One Step Beyond" by Madness
So I was reading Wil Wheaton's blog (like I do) and he made a Madness reference. ("Rachel! You don't know "One Step Beyond"?! CLICK IT.") And that is all the motivation I need to choose a SotD. Also, my friend Murphy already shared this song with me, like, a year ago.
Incidentally that entry marked the closest I've ever been to registering with his site. (BOOKS! YAYAYAYAY!) That is something that I'm resisting for whatever reason. Also, someone at Ada Community Library must be a fan because they have his first two books which we then requested. My geekiness, let me show you it.
Incidentally that entry marked the closest I've ever been to registering with his site. (BOOKS! YAYAYAYAY!) That is something that I'm resisting for whatever reason. Also, someone at Ada Community Library must be a fan because they have his first two books which we then requested. My geekiness, let me show you it.
Rock and Roll Poetry
I was sitting in English class my junior year when the class was given an assignment. Write a pantoum. My friend and I basically took inspiration from the concert we had been to earlier in that school year. (September 5, 2002 - oh my gosh, how do I remember this?) The concert was Incubus with 30 Seconds To Mars as the opening band. Well, amidst all the items thrown on stage someone gave Incubus a "perfectly good right shoe" as Brandon Boyd announced.
This concert also marks the only time we made t-shirts in an effort to prove what devoted fans we were. My sister Rachel regrets this as it definitely proves how sad we are. No matter! On to the poetry!
The Rock Star
by Krystal Sorrell and Sarah Beukelman
The fans screamed
We exchanged a glance
Someone threw a bra
Someone threw a shoe
We exchanged a glance
The opening chords rang
Someone threw a shoe
The light caught his eye
The opening chords rang
He smiled at us
The light caught his eye
He began to sing
He smiled at us
Someone threw a bra
He began to sing
The fans screamed
This concert also marks the only time we made t-shirts in an effort to prove what devoted fans we were. My sister Rachel regrets this as it definitely proves how sad we are. No matter! On to the poetry!
The Rock Star
by Krystal Sorrell and Sarah Beukelman
The fans screamed
We exchanged a glance
Someone threw a bra
Someone threw a shoe
We exchanged a glance
The opening chords rang
Someone threw a shoe
The light caught his eye
The opening chords rang
He smiled at us
The light caught his eye
He began to sing
He smiled at us
Someone threw a bra
He began to sing
The fans screamed
Tuesday, October 7, 2008
SotD: "Freeze Frame" by J. Geils Band
Paul Justman, "People love parachutes."
Rachel guessed that was what motivated the imagery of this video.
Who knows? It's still a pretty good song.
Related link:
J. Geils Band on wikipedia
Rachel guessed that was what motivated the imagery of this video.
Who knows? It's still a pretty good song.
Related link:
J. Geils Band on wikipedia
Friday, October 3, 2008
SotD: Multiple by Mustard Plug
So I was having a normal conversation when Mustard Plug came up out of nowhere. Now ever since I read Rip It Up by Simon Reynolds which is an examination of post-punk, I've been interested in ska but I haven't done much yet to educate myself. I only know a little bit about Mustard Plug, my knowledge consisting of "We Want The Mustard" because a friend included it on a mix CD for my sister and me. Then my freshman year of college I downloaded a random bunch of songs, but I subsequently deleted them off my hard drive to make room for stuff I liked a little bit better. BUT I can say that these guys are quality.
"Beer Song"
"Mr. Smiley"
"Thigh High Nylons"
Related links:
Mustard Plug's official website
Mustard Plug on Wikipedia
"Beer Song"
"Mr. Smiley"
"Thigh High Nylons"
Related links:
Mustard Plug's official website
Mustard Plug on Wikipedia
On College Radio
My sister and I had an internet radio show back in college. We certainly weren't a cultural force on campus because the station had no solid listener base, but I had fun. This brings me to something that bothers me about myself. I can't stand the sound of female radio DJs. I am totally a feminist you guys! There's just something that sounds repellent as women try to lower their voices to sound smoother. (And less feminine?) I think I read somewhere that female voices are harder to understand because their voices are higher. My favorite singers are baritone voices - maybe because they are easy on the ear. The thing is I don't think I have this same issue with women who work on radio ads. They seem to talk in their natural tones.
All this is just me rambling on about something about which I know little. I miss my radio show and I think I could be a DJ but I don't have any real training in broadcast techniques. I also lack any control over my voice. I failed utterly to modulate my voice consistently.
This is kind of related to my reading material. In the past fortnight I've read The Sex Revolts by Joy Press and Simon Reynolds as well as She Bop by Lucy O'Brien. The former decoded gender in rock and roll and the latter was a straightforward look at women's participation in the music industry. Reading both filled in the picture for me and forced me to look at the gender breakdown of the music I listen to. From a cursory glance at how many "chick bands" I listen to, the answer is few. Most of what I listen to his masculine even if it isn't cock rock. Does this make me a poor feminist? Well, no, that's stupid of my inner voice and you to even ask that. It just means I'm under educated and radio isn't exactly the way to find music made by women. Women also excel in musical genres that are not radio-friendly. It can be difficult to find good experimental stuff.
Of course that's where word of mouth can become so crucial. I have a friend who I go to when I want to talk music. She owns tons more than I do and she was interested in music that was close enough to music I listened to but different enough that it was fresh. And that's ultimately where women (and anyone, of course) find new music that's not on heavy rotation on MTV. (For all the videos that they play anymore, RIGHT?!) Historically we can look at the Riot Grrl movement for example. All the "grrls" created female networks that highlighted female acts among other things.
Now that this blog post has mutated horribly, I'll end it now.
All this is just me rambling on about something about which I know little. I miss my radio show and I think I could be a DJ but I don't have any real training in broadcast techniques. I also lack any control over my voice. I failed utterly to modulate my voice consistently.
This is kind of related to my reading material. In the past fortnight I've read The Sex Revolts by Joy Press and Simon Reynolds as well as She Bop by Lucy O'Brien. The former decoded gender in rock and roll and the latter was a straightforward look at women's participation in the music industry. Reading both filled in the picture for me and forced me to look at the gender breakdown of the music I listen to. From a cursory glance at how many "chick bands" I listen to, the answer is few. Most of what I listen to his masculine even if it isn't cock rock. Does this make me a poor feminist? Well, no, that's stupid of my inner voice and you to even ask that. It just means I'm under educated and radio isn't exactly the way to find music made by women. Women also excel in musical genres that are not radio-friendly. It can be difficult to find good experimental stuff.
Of course that's where word of mouth can become so crucial. I have a friend who I go to when I want to talk music. She owns tons more than I do and she was interested in music that was close enough to music I listened to but different enough that it was fresh. And that's ultimately where women (and anyone, of course) find new music that's not on heavy rotation on MTV. (For all the videos that they play anymore, RIGHT?!) Historically we can look at the Riot Grrl movement for example. All the "grrls" created female networks that highlighted female acts among other things.
Now that this blog post has mutated horribly, I'll end it now.
Hi kids,
I'm back from not having any internet and boy am I glad.
I caught a show last Sunday. Mindless Self Indulgence at the Knitting Factory. I was slightly disappointed in my experience. Let's get started with the opening bands.
DEARESTAZAZEL: Oh my word, what? Okay this group was totally cheesy and slightly desperate? If they were trying to be ironic I missed the joke. They were just okay musically. The drummer took his shirt off, the guitarist stuck his tongue out and I was not impressed. The only one I could relate to was the bassist, who at times had a goofy grin on his face as if he couldn't believe he was actually on tour. That was the only genuine moment in their set.
INNERPARTYSYSTEM: All right, these guys are slightly better, but there was still something severely lacking in this outfit. They had synths, which I like on a basic level. Unfortunately they had a conventional sound, complete with fairly obvious lyrics when it came to the love song. (I didn't really understand the other songs.) During the love song the singer caressed his mike stand in a really disturbing manner. Rachel and I noticed an album review in Spin and it kind of summed things up well by giving the album 2 1/2 stars. There is a bit of promise in their set, but they fall just a bit short.
MINDLESS SELF INDULGENCE (you probably thought I just didn't know how to use the spacebar, but the other bands' names are really all just one word): These people know how to put on a show. Jimmy does audience interaction well and everyone knows it. I got a pat on the head by Jimmy during one point and I think a sibilant sound meant that I got a bit of spit on me. That's all well and good, but this was actually way less satisfying than the show I caught two years ago. For one thing, there was no encore. Encores are practically a given, but we were told to clear the floor. Dang. Last show, I got a dollar bill signed and Jimmy wrote Urine on my arm. (I have a picture of it somewhere...) A drunk friend of mine also grabbed my hand and made me squeeze Jimmy's ass but that's neither here nor there. I didn't hang around but I don't think they were giving out autographs. So all in all, none of the band's blew me away.
OH and Jason Mraz sold out. Who knew that would happen? NOT ME. So shed a tear for me.
I caught a show last Sunday. Mindless Self Indulgence at the Knitting Factory. I was slightly disappointed in my experience. Let's get started with the opening bands.
DEARESTAZAZEL: Oh my word, what? Okay this group was totally cheesy and slightly desperate? If they were trying to be ironic I missed the joke. They were just okay musically. The drummer took his shirt off, the guitarist stuck his tongue out and I was not impressed. The only one I could relate to was the bassist, who at times had a goofy grin on his face as if he couldn't believe he was actually on tour. That was the only genuine moment in their set.
INNERPARTYSYSTEM: All right, these guys are slightly better, but there was still something severely lacking in this outfit. They had synths, which I like on a basic level. Unfortunately they had a conventional sound, complete with fairly obvious lyrics when it came to the love song. (I didn't really understand the other songs.) During the love song the singer caressed his mike stand in a really disturbing manner. Rachel and I noticed an album review in Spin and it kind of summed things up well by giving the album 2 1/2 stars. There is a bit of promise in their set, but they fall just a bit short.
MINDLESS SELF INDULGENCE (you probably thought I just didn't know how to use the spacebar, but the other bands' names are really all just one word): These people know how to put on a show. Jimmy does audience interaction well and everyone knows it. I got a pat on the head by Jimmy during one point and I think a sibilant sound meant that I got a bit of spit on me. That's all well and good, but this was actually way less satisfying than the show I caught two years ago. For one thing, there was no encore. Encores are practically a given, but we were told to clear the floor. Dang. Last show, I got a dollar bill signed and Jimmy wrote Urine on my arm. (I have a picture of it somewhere...) A drunk friend of mine also grabbed my hand and made me squeeze Jimmy's ass but that's neither here nor there. I didn't hang around but I don't think they were giving out autographs. So all in all, none of the band's blew me away.
OH and Jason Mraz sold out. Who knew that would happen? NOT ME. So shed a tear for me.
Wednesday, September 3, 2008
Spin Magazine
I used to love Spin once. I really did. Maybe something happened to me, maybe the problem lies with the magazine, but I've really lost my patience with this music rag. It's almost popular to hate on music journalism, but I used to want to join the ranks of those who interviewed artists both good and bad. It was heady days when I thought of questions to ask Spencer Cobrin. I felt a thrill at the idea of writing books about my favorites. I thought that perhaps one day I would write a book about Moby. Yes, Moby. You might wonder at that choice but I feel that he's contributed to music in a meaningful way. Besides, he's just as much a fan of things as I am.
So do I have to give up on thoughts of joining an established music publication in the age of self-publishing on the internet? Perhaps I like my rambling entries that don't necessarily have to go anywhere.
On a lighter note, I found this blog while doing a GIS for Martin Gore so that Rasterized Dave Gahan could have a friend in our living room. I've thought about drawing little music-related comics, but now I don't have to?
So do I have to give up on thoughts of joining an established music publication in the age of self-publishing on the internet? Perhaps I like my rambling entries that don't necessarily have to go anywhere.
On a lighter note, I found this blog while doing a GIS for Martin Gore so that Rasterized Dave Gahan could have a friend in our living room. I've thought about drawing little music-related comics, but now I don't have to?
Sunday, August 31, 2008
Some quiet news
Thomas Dolby is going into the studio tomorrow. This, according to his blog. Now, I found this blog off a list of LJ feeds and randomly decided to friend it. I still don't know that much about Thomas Dolby outside of the whole science eyesight loss incident. I do know that he played to Boise the year I was 20 and he played at a bar so I couldn't go. And then of course that venue hasn't had anything that great since I was granted entry by virtue of growing older. Such is life.
I have a couple more book reviews to write. I don't know if this'll become a regular feature, but Rachel checked out a whole bunch of books from Boise's library, including one on techno.
In unrelated news, I downloaded a Martin L. Gore sim, and rasturbated a picture of Dave Gahan which looks very cool on our wall. Pictures to come?
I have a couple more book reviews to write. I don't know if this'll become a regular feature, but Rachel checked out a whole bunch of books from Boise's library, including one on techno.
In unrelated news, I downloaded a Martin L. Gore sim, and rasturbated a picture of Dave Gahan which looks very cool on our wall. Pictures to come?
Tuesday, August 19, 2008
Book review: Jonathan Miller's "Stripped: The True Story of Depeche Mode
Please excuse the tardiness of this post as I've just moved to Boise. Man, that's a bit of a headache and it really does force me to see just how many books I own. Maybe not for long?
Anyhoo, I've just read a band biography about Depeche Mode, this book, specifically. I found it to be a pretty extensive account of the development of DM throughout the years. Some may find all the info on Vince Clarke's post-Depeche career a little irrelevant, but I appreciated it if only because I'm a bit curious about Erasure at this point in time.
This book is mostly cobbled together through interviews originally published in music magazines, such as Smash Hits, New Musical Express, and Melody Maker. But don't let that fact keep you from thinking that this book has nothing more to offer. Miller interviewed many people himself to flesh out the book and to get other sides to the story. He interviewed Vince Clarke, Jo Gahan, Gareth Jones (producer), and many of the band's old acquaintances from their days living in Basildon.
Miller is a sympathetic narrator and one that's easy to follow. I found his writing style effective. He obviously put in a lot of work, "2,000 man hours" as he put it. All that work is reflected in the text and in the bibliography. The reader comes away feeling like they have a fairly accurate story of Depeche Mode.
This book made me, as a relatively new fan, aware of the personalities of all the band members. Surely old fans who actively sought out interviews already knew a bit about all the musicians, but I found it nice. One Amazon reviewer surmised that Alan Wilder wouldn't appreciate the author for making him seem "arrogant, filled with self importance." I just found him delightfully acerbic and funny as hell, but I'm a bit biased in Wilder's favor. I found him to be sensible and matter-of-fact, not self-important. It seems like he holds no hard feelings about the departure and neither does the rest of the group. Maybe he's a bit hard on Fletch, but everyone had their turn being hard on Fletch.
This is surely a hefty read. The main part of the book is 518 pages and the bibliography and discography punches it up to 596 pages. Despite its length, it's still an engrossing read. One gripe that my sister and an Amazon reviewer shared is the fact that Miller spent more time and words on the early days and sped through the more recent years and albums.
If you want some sort of rating system, I would give this book 4/5 stars.
Anyhoo, I've just read a band biography about Depeche Mode, this book, specifically. I found it to be a pretty extensive account of the development of DM throughout the years. Some may find all the info on Vince Clarke's post-Depeche career a little irrelevant, but I appreciated it if only because I'm a bit curious about Erasure at this point in time.
This book is mostly cobbled together through interviews originally published in music magazines, such as Smash Hits, New Musical Express, and Melody Maker. But don't let that fact keep you from thinking that this book has nothing more to offer. Miller interviewed many people himself to flesh out the book and to get other sides to the story. He interviewed Vince Clarke, Jo Gahan, Gareth Jones (producer), and many of the band's old acquaintances from their days living in Basildon.
Miller is a sympathetic narrator and one that's easy to follow. I found his writing style effective. He obviously put in a lot of work, "2,000 man hours" as he put it. All that work is reflected in the text and in the bibliography. The reader comes away feeling like they have a fairly accurate story of Depeche Mode.
This book made me, as a relatively new fan, aware of the personalities of all the band members. Surely old fans who actively sought out interviews already knew a bit about all the musicians, but I found it nice. One Amazon reviewer surmised that Alan Wilder wouldn't appreciate the author for making him seem "arrogant, filled with self importance." I just found him delightfully acerbic and funny as hell, but I'm a bit biased in Wilder's favor. I found him to be sensible and matter-of-fact, not self-important. It seems like he holds no hard feelings about the departure and neither does the rest of the group. Maybe he's a bit hard on Fletch, but everyone had their turn being hard on Fletch.
This is surely a hefty read. The main part of the book is 518 pages and the bibliography and discography punches it up to 596 pages. Despite its length, it's still an engrossing read. One gripe that my sister and an Amazon reviewer shared is the fact that Miller spent more time and words on the early days and sped through the more recent years and albums.
If you want some sort of rating system, I would give this book 4/5 stars.
Wednesday, August 13, 2008
SotD: "Last Night I Dreamt That Somebody Loved Me" by The Smiths
Song of the Day goes morose as this popped up on shuffle. This is Morrissey set to maudlin. Live performance with Moz's band from 2006 Some kid also made his own music video that I found last summer and didn't watch all the way through and won't watch now. But I encourage you to watch it!
Related link: "Last Night I Dreamt That Somebody Loved Me" on Wikipedia
Related link: "Last Night I Dreamt That Somebody Loved Me" on Wikipedia
Friday, August 8, 2008
SotD: "Tastes So Good" by File 13
Oh my God, I went 21 years without hearing this song and it hit me hard. Maybe it's like chicken pox in that respect. Get it out of the way when you're young and it won't affect you so badly. Anyway, have a non-music video YouTube video. My sister and I played this track on our college radio show and totally surprised someone in our listening audience. He had never heard this and barely knew what he was listening to.
I know it's been slow 'round here, but I'm moving. So that's exciting.
Related link: Double Dee and Steinski on Wikipedia
I know it's been slow 'round here, but I'm moving. So that's exciting.
Related link: Double Dee and Steinski on Wikipedia
Thursday, August 7, 2008
SotD: "Another Night" by Real McCoy
This was one of my favorite songs when it came out when I was in third grade (Huh, wikipedia told me that this song came out in 1994, but I distinctly remember it coming out when I was in second grade, which would make it '93.) So anyway, I loved this song because I like Eurodance? Another night, another dream, but always you. Check out the related videos! Ah, memories.
Tuesday, August 5, 2008
SotD: "Little Girls" by Oingo Boingo
Warning: Contains midgets.
This is the song of the day purely because it was in Sarah's head today. And it was in my head at work yesterday. Two people can't be wrong, right?
This is the song of the day purely because it was in Sarah's head today. And it was in my head at work yesterday. Two people can't be wrong, right?
Monday, August 4, 2008
My Spencer Cobrin interview
After yesterday's post I wondered if there was any pressing need to reproduce my article in case any reader got curious. Sure, was my conclusion. This was an interview I conducted via MySpace (as I've previously mentioned) last summer. I thought this guy would be like, "A school newspaper? What's the point?" but, no. And I lived out part of a fangirl dream. So here is my interview, as it appeared in the Coyote. Title, opening paragraph, and inset are not my words. Spencer Cobrin had a positive reaction and gave it rave reviews, adding that his friends thought it was great.
So there you have it!
The Next Chapter for Spencer Cobrin
by Sarah Beukelman
Hit nineties drummer spills all on sensitivities, glory days, and varied plans
Spencer Cobrin supplied the beats for one of the best, and most controversial, Irish rock albums of the early nineties. [You see? That was totally the editor's misguided attempt to edit a weak opener. Better a weak opener than an inaccurate opener, I say] Cobrin was a member of Morrissey's band from 1991 - joining the group at the age of 22 - until he left in 1998. Many fans consider him to be the best drummer Morrissey has ever worked with. And who could forget the way he licked his way around an ice cream in the video for "We Hate It When Our Friends Become Successful"?
A couple years after Cobrin left Morrissey's band, he formed Elva Snow with Australian singer Scott Matthew. (Elva Snow's self-titled album is available on Cd Baby's website and I highly recommend it. Get it while you can.) Elva Snow has since dissolved and Cobrin has left to focus on composing for film, which he is exceedingly good at. Credits include music for the documentary My Child: Mothers of War and the film Send in the Clown. Samples of his work are available for listening at his MySpace page (http://www.myspace.com/spencercobrin). Cobring's page features songs he co-wrote with Morrissey, Elva Snow tracks, and compositions for film. As a guitarist, pianist, and drummer, his music is noteworthy for its range and emotionality.
Cobrin and I recently discussed what it was like recording Your Arsenal and what life is like post-Morrissey. [Note: this was meant to be a companion piece to an "essential albums"-type column I wanted to have in the paper. That idea was shot down :(] I discovered an artist who is funny, intelligent, and yes, a little bit sweet.
Your Arsenal is one of my essential albums. What are a few of your essential albums?
Art Blakey's Indestructible, Joni Mitchell's Blue, and Tchaikovsky's Romeo and Juliet Overture.
What is your favorite song on Your Arsenal?
"The National Front Disco"
How was it in the recording studio when you were recording? Had you become comfortable working with Morrissey and you other bandmates by this point?
It was exciting but overshadowed by my lack of skill and confidence on the drums, and within myself, I was very insecure and had no self-esteem whatsoever. I had to try very hard; I was the least talented in the band and had to really dig deep.
Have you found self-esteem? Is the present day Spencer Cobrin more secure in his abilities than '91-'92 Spencer Cobrin?
Looking back and comparing myself then and now, I've grown a lot. I also challenged myself to do things I would never have done.
Morrissey fans are known for being particularly enthusiastic. Was it overwhelming or did you embrace (pardon me for saying it) the rock and roll lifestyle?
I loved life on the road. I didn't set out to be a rock and roll cliche, nor did I become one, thankfully, but i did my share of partying (and still do!) It was a joyous time. Coming off the road was very hard though - living on adrenaline for months at a time - it's not surprising people turn to paraphernalia to keep the high going; it can be quite a comedown.
How did you manage to stay away from "paraphernalia" as you put it?
Loaded question!
Do you still keep in touch with any of your former bandmates?
A couple of them wrote me recently. It has been 10 years since I've heard from them.
How did you make the decision to get into scoring? Do you long for the days of touring and live gigs?
I thought it would be a great creative outlet for me, something to explore and see if I actually had a proclivity for it. I started to meet filmmakers and test the waters. Of course I always throw myself into the deep end, but real life experience is better than books. It hasn't been easy but I'm doing something that I never thought I could do. What else lies beneath!?
I haven't missed the touring at all, which is strange. Maybe I just had enough of it. It would be fun to play live again but I don't pine for the days of old. That was a rich chapter of my life and I've moved onto the next.
Are you working on anything currently?
Most recently I scored a heist/feature film, Daylight Robbery and am writing the cello arrangements for Scott Matthew's debut album.
Do you write a lot of music for yourself on the side? If so, are you interested in working with lyricists? Just for fun?
I've been pretty busy with film and other projects recently that that is all I've had time for, but maybe when things calm down again, which they invariably will.
What plans do you have for the months ahead?
I would really like to travel for a while and get way from this damn laptop!
Your location is listed as both London and New York. In an interview you said that London doesn't feel like home. Has this changed for you?
Yes, definitely, having been in g NY for 10 years I love going back to London. I see it through new eyes. I love that everything is so green, that's the first impression one gets immediately departing the airport, green everywhere. It was shocking having not seen it for so long.
In an interview for MorrisseyTour.com you described yourself/your music as "romantic, emotional, and sad". Would you still describe yourself that way? Also referring to the the interview:[the author claims that there is a Good Spencer Cobrin who is approachable and easygoing and "other" Spencer Cobrin who is a bit standoffish]are there tow Spencer Cobrins? Which one is answering my questions?
No, not two, just confused, lost! I haven't departed from my personal feelings of musical expression, except for working on projects where you are fulfilling someone else's vision. Of course, I can assimilate that too, but I still lean towards the tragic romantic nature of art, or being, unrequited love namely.
What is your philosophy on love? [whoa, heavy/heady stuff!]
Oh boy, I'm not one to really expound on this but I suppose love is like an all-consuming sickness, if you've got it bad, it's band, but if you've got it good, you're lucky and if you've had it but lost it, it'll screw you up, it's a crazy thing.
On a fan sit from 1995 someone described you as "so painfully sweet, it was untrue" when you autographed a fanzine. Do you think of yourself as sweet?
No! Ha. I'm just not a bastard.
Are you a reader? What books do you enjoy?
I'm currently going through my Greek mythology phase, but I'm kind a picky, if it doesn't grab me then forget it.
Live Earth took place recently. Did you catch any of it? Do you think an event like this will produce any significant lasting changes?
My TV has about four channels and I don't really watch TV that much anyway. And not unless there was a shift on a global scale by big business and government now. There is obviously much more awareness and talk on the subject but how much change do you see taking place? It's way too slow to have any lasting effect. It's pathetic. America being the leading power is so far behind the eight ball on this, it has the resources and power to make a significant impact almost overnight, which is needed right now, but is leading us down a road to disaster.
What's the deal with the ice cream in the "We Hate It When Our Friends Become Successful" video? How do things like that get into videos? Do you laugh about it now?
It was improvised. They gave me an ice cream and I just went with it - it's called being a ham! Plus I'm pretty self-deprecating. I really didn't care what people thought, seems like a lot of people took it way too seriously. The seem to get really defensive of attack me for it. That's been my experience, ti's very odd. But one has to have a laugh and I just couldn't resist it.
One silly question: who do you allow to call you Spenny? Second sill question: can I call you Spenny? [XD]
I don't allow, people just take advantage of me. {I read this imagining Cobrin saying this with the deepest of sighs. Oh the bother of being called Spenny!}
You can call me Shirley.
So there you have it!
Labels:
Elva Snow,
interview,
Morrissey,
Scott Matthew,
Spencer Cobrin
Sunday, August 3, 2008
SotD: "We Hate It When Our Friends Become Successful" by Morrissey
This may just be me, but I prefer Morrissey when he worked with the Smiths. That's not why I gathered you here today, though. This is mostly to celebrate that drummer named Spencer Cobrin (appearing in this video for Morrissey). This guy is cuter than puppies and so modest! I had the privilege of interviewing him for the College of Idaho student newspaper via his MySpace page. I totally asked him for the interview out of the blue and he was so nice about it. I'll always consider him my "big break" like a dork.
Musically, I don't know much about drummers and what makes for better drummers than others besides the ability to keep a steady beat. However, I can say that this dude is pretty talented! He not only plays the drums, but he plays the piano and guitar. Right now, he's given up live performance for composing and doing scoring for films. His work is really good.
Last year, he even wished me a happy birthday! This musician is definitely one of my favorite personalities.
Further link: Elva Snow on CD Baby
Musically, I don't know much about drummers and what makes for better drummers than others besides the ability to keep a steady beat. However, I can say that this dude is pretty talented! He not only plays the drums, but he plays the piano and guitar. Right now, he's given up live performance for composing and doing scoring for films. His work is really good.
Last year, he even wished me a happy birthday! This musician is definitely one of my favorite personalities.
Further link: Elva Snow on CD Baby
Recoil
I barely know what I'm listening to, and I mean that in the best way possible. After having a huge crush on Alan Wilder and seeing him on my last.fm recommended artists page, I got my hands on Recoil: the side project turned main project solo work by Alan Wilder. I'm listening to Liquid (2000) featuring spoken word artists over atmospheric music. It's really cool. Definitely not pop but definitely appealing to those who like a bit of challenge with their music. If that describes you, then, dear lord, find some Recoil. It's giving me chills.
Links: The Recoil MySpace page (Oh my gosh! A mailing address for Alan Wilder!)
Recoil on Wikipedia
An interview turned essay/rant
The Recoil Video Channel on YouTube
Links: The Recoil MySpace page (Oh my gosh! A mailing address for Alan Wilder!)
Recoil on Wikipedia
An interview turned essay/rant
The Recoil Video Channel on YouTube
Saturday, August 2, 2008
In Morrissey-related news
The album that was supposed to come out in 2008 has been pushed back to 2009 it seems. Story on Morrissey-solo.com. I can't say I'm all that surprised. Speculations as to why appear in the comments. It would be quite the bold move to follow up the Greatest Hits album so soon with a studio album, but I think fans are ready now considering that Ringleader... was released more than two years ago.
Of course this increases the likelihood that Moz and Depeche Mode will be on tour at the same time (although it's impossible to predict that they'll be in my neck of the woods at the same time). If they are in the NW at the same time I will be both sad and broke.
Of course this increases the likelihood that Moz and Depeche Mode will be on tour at the same time (although it's impossible to predict that they'll be in my neck of the woods at the same time). If they are in the NW at the same time I will be both sad and broke.
Friday, August 1, 2008
Please to Overlook
the fact that there has been no song of the day lately. Dude, I've found myself in Nampa twice already this week and I'm going back tomorrow for a dental cleaning. So here, have a song today. Have this totally 90s style music video for "Spin Spin Sugar" by the Sneaker Pimps. Lick that milkshake, Chris Corner!
Tuesday, July 29, 2008
SotD: "Limelight" by Rush
In celebration of Geddy Lee's birthday (55!), the song of the day goes Canadian. Today's song is Limelight. I had a hard time choosing which song to select, but essentially this wins for being the first official video to pop up that wasn't on the latest album.
I saw these guys live as a graduation present to myself. It was one of the best concerts of my life. Arena shows aren't my favorite (I'm lame and like those "intimate evenings".), but this was so, so rad. This girl I went to school with hadn't heard of Rush? How is that possible?!
Oh well, enjoy the song.
I saw these guys live as a graduation present to myself. It was one of the best concerts of my life. Arena shows aren't my favorite (I'm lame and like those "intimate evenings".), but this was so, so rad. This girl I went to school with hadn't heard of Rush? How is that possible?!
Oh well, enjoy the song.
Monday, July 28, 2008
SotD: "Angle Dance" by Plane Geometry
So my brother walked into my room and said something along the lines of, "You want to know of the best electronic artist ever? Better than Depeche Mode, better than Pet Shop Boys? Search in YouTube for "Square One Angle Dance" So I did, and I was gobsmacked by a huge slice of my childhood! I remember having this thought last year, but Bill Nye the Science guy kind of stole their idea for music videos from Square One.
Whatever, have some links:
Square One Television on Wikipedia
Bill Nye music videos on YouTube
Happy watching! Might I recommend a little Momentissey?
Whatever, have some links:
Square One Television on Wikipedia
Bill Nye music videos on YouTube
Happy watching! Might I recommend a little Momentissey?
Sunday, July 27, 2008
SotD: "Enjoy the Silence" OR "Stripped" by Depeche Mode
So, today's song of the day is a tossup.
Depeche Mode - Enjoy the Silence What I think is my favorite song ever. From 1990's Violator, one of the most highly-rated Depeche Mode albums out there.
OR
Depeche Mode - Stripped The contender for my favorite song ever. From 1986's Black Celebration, which is a very kickass album. Notable for having the songs "Question of Time" and "Question of Lust".
If the competition was decided by which has the better video, Stripped would win, but barely, because it's a bit WTF.
Depeche Mode - Enjoy the Silence What I think is my favorite song ever. From 1990's Violator, one of the most highly-rated Depeche Mode albums out there.
OR
Depeche Mode - Stripped The contender for my favorite song ever. From 1986's Black Celebration, which is a very kickass album. Notable for having the songs "Question of Time" and "Question of Lust".
If the competition was decided by which has the better video, Stripped would win, but barely, because it's a bit WTF.
Saturday, July 26, 2008
The Slants
This would have been a concert review if I had been able to make my way to Boise last night, but alas, no. Instead I can only give you a bunch of links and opinions on what appears on their myspace. The Slants are a Portland based band heavily inspired by 80s synthpop/dance music. One can hear the New Order influences and the vocal sounds a bit like Depeche Mode, if David Gahan was an American. They also sound a bit like New Wave contemporaries The Faint. Their angle is that they are all Asian-Americans (but one!) and in an interview I read, they were used to being the token Asian in their respective bands. So they joined up and called themselves The Slants in an acknowledgment of their cultural identity.
I guess the best thing I can say is that I am buying their CD at cdbaby.com. Their music is fun and would any song would be a great addition to a party mix.
Links:
The Slants official website
The Slants on MySpace
The Slants on CD Baby where you can buy their album Slanted Eyes, Slanted Hearts.
I guess the best thing I can say is that I am buying their CD at cdbaby.com. Their music is fun and would any song would be a great addition to a party mix.
Links:
The Slants official website
The Slants on MySpace
The Slants on CD Baby where you can buy their album Slanted Eyes, Slanted Hearts.
SotD: "Take on Me" by A-ha
A-ha - Take On Me
I remember seeing a snippet of video for this song on commercials for compilation albums while I was waiting for Bewitched to come back on. I remember being weirded out by the imagery without knowing what the hell it was that I was seeing. Other cool fact, this was the number one song in the US on the day of my birth.
I remember seeing a snippet of video for this song on commercials for compilation albums while I was waiting for Bewitched to come back on. I remember being weirded out by the imagery without knowing what the hell it was that I was seeing. Other cool fact, this was the number one song in the US on the day of my birth.
Wednesday, July 23, 2008
So let's have a bit of discussion about the single. Nobody buys them anymore. They used to be the staple of the record store, mostly because they were priced to sell and they came with good music. Well, the single has been suffering for ages. It doesn't really matter why, but let's think about it for a minute. Here is something I learned while I was doing research for my senior paper for history: the Beatles and other artists helped make the album an art form in itself, rather than a collection of songs. First off, the Beatles, along with the Beach Boys and Frank Zappa helped create the concept album. See Pet Sounds and Sgt. Pepper's Lonely Hearts Club Band. This helped push the sale of albums, since they were meant to be consumed as a whole. An early blow for singles!
Now let's fast forward to when I was a kid looking at the music selection at ShopKo. Singles just didn't seem cost-effective to me. Why buy one disc that was manufactured cheaply with five songs on it when I can spend a few dollars more for a dozen songs on a disc that was manufactured cheaply. It doesn't really make sense. Nowadays with the iTunes Store and all that you can pick and choose which songs to download for $.99 a pop. And that's when looking at albums. No one gives a second thought to the single anymore. And that's kind of a shame.
I've been reading Morrissey: The Albums by Johnny Rogan. It's an examination of all the albums released by Morrissey throughout his entire career, with the Smiths and as a solo artist. This is an intense examination of the lyrics and music by Morrissey and his collaborators. It got me thinking about the B-sides because Rogan frequently compares what appears on the album to what didn't. I also own Morrissey: The Singles '88-'91, an attractive 10-disc set that was released just a few years ago. It really got me thinking about the B-side and what the death of the single means for music consumers.
I'm a completist, even as I don't own many singles. I think the only singles I own are by Morrissey and Depeche Mode. But, they are valuable parts of my music collection. So, the moral at the end of the day? I think the death of the single is imminent as it loses its relevance in today's market. The single is easily forgettable, but it's such a pleasant surprise to rediscover it, especially when it comes to your favorite artists.
Now let's fast forward to when I was a kid looking at the music selection at ShopKo. Singles just didn't seem cost-effective to me. Why buy one disc that was manufactured cheaply with five songs on it when I can spend a few dollars more for a dozen songs on a disc that was manufactured cheaply. It doesn't really make sense. Nowadays with the iTunes Store and all that you can pick and choose which songs to download for $.99 a pop. And that's when looking at albums. No one gives a second thought to the single anymore. And that's kind of a shame.
I've been reading Morrissey: The Albums by Johnny Rogan. It's an examination of all the albums released by Morrissey throughout his entire career, with the Smiths and as a solo artist. This is an intense examination of the lyrics and music by Morrissey and his collaborators. It got me thinking about the B-sides because Rogan frequently compares what appears on the album to what didn't. I also own Morrissey: The Singles '88-'91, an attractive 10-disc set that was released just a few years ago. It really got me thinking about the B-side and what the death of the single means for music consumers.
I'm a completist, even as I don't own many singles. I think the only singles I own are by Morrissey and Depeche Mode. But, they are valuable parts of my music collection. So, the moral at the end of the day? I think the death of the single is imminent as it loses its relevance in today's market. The single is easily forgettable, but it's such a pleasant surprise to rediscover it, especially when it comes to your favorite artists.
Saturday, July 19, 2008
A bit of housecleaning
I haven't listened to the new Beck album, ack. How disappointing.
Everyone's already talked about it, but yes, Dr. Horrible's Sing-Along Blog. AWESOME. All three acts are up for free viewing right now and it lasts for a week, according to wikipedia. There is some great music in this, I have to say. And can anyone say no to Neil Patrick Harris, Nathan Fillion, and Felicia Day. Guys, I totally had a crush on Doogie Howser! And now the world will have crushes too! Up for downloading at the itunes store. There will eventually be a DVD with commentary featuring brand new songs in a section called Commentary! The Musical. (source still wikipedia). Cool beans.
In personal news, I both recently found a picture of me with Jimmy Urine's autograph on my person and found out they'll be back in Boise in September. Also, I'm looking forward to catching both the Faint and Amadan in Boise in the next fortnight. Exciting!
In Boz Boorer news, he's coming out with a new album in September and it'll feature some Adam Ant music that was going to be on Save the Gorilla. Yay, Adam and Boz! Boz Boorer also worked with Adam Ant on 1995's Wonderful, co-writing most of the songs. I have mad respect for Boz Boorer because he is really a hard worker. I'm itching to interview him someday.
Lastly, the music video for Robots in Disguise's "The Tears" is one of the best things I've seen lately. The video was somehow leaked on their site early and so they have been trying to get it removed from all over the internet. I have to say too late to that. They wanted all uploaded graphics, avatars/icons and screencaps, taken down, but that is near impossible as those are easily spread. Also, a copy was put on megaupload. That baby is effectively leaked. Also, Noel Fielding is incredible in this video. I have no idea when the official release date is, so I will be respecting the ban in the meantime. Awww, I'm tricksy.
Everyone's already talked about it, but yes, Dr. Horrible's Sing-Along Blog. AWESOME. All three acts are up for free viewing right now and it lasts for a week, according to wikipedia. There is some great music in this, I have to say. And can anyone say no to Neil Patrick Harris, Nathan Fillion, and Felicia Day. Guys, I totally had a crush on Doogie Howser! And now the world will have crushes too! Up for downloading at the itunes store. There will eventually be a DVD with commentary featuring brand new songs in a section called Commentary! The Musical. (source still wikipedia). Cool beans.
In personal news, I both recently found a picture of me with Jimmy Urine's autograph on my person and found out they'll be back in Boise in September. Also, I'm looking forward to catching both the Faint and Amadan in Boise in the next fortnight. Exciting!
In Boz Boorer news, he's coming out with a new album in September and it'll feature some Adam Ant music that was going to be on Save the Gorilla. Yay, Adam and Boz! Boz Boorer also worked with Adam Ant on 1995's Wonderful, co-writing most of the songs. I have mad respect for Boz Boorer because he is really a hard worker. I'm itching to interview him someday.
Lastly, the music video for Robots in Disguise's "The Tears" is one of the best things I've seen lately. The video was somehow leaked on their site early and so they have been trying to get it removed from all over the internet. I have to say too late to that. They wanted all uploaded graphics, avatars/icons and screencaps, taken down, but that is near impossible as those are easily spread. Also, a copy was put on megaupload. That baby is effectively leaked. Also, Noel Fielding is incredible in this video. I have no idea when the official release date is, so I will be respecting the ban in the meantime. Awww, I'm tricksy.
Thursday, July 10, 2008
Blog Info
I am well aware that I haven't had any content in the past couple days. Too bad so sad. In the name of having some content, I'll repost my old wizard rock (wrock) article from ages ago. First appeared in The Coyote
Yes, Virginia, people write music about Harry Potter. The music they create is called Wizard Rock and the way it is spread is through the internet. (http://groups.myspace.com/wizardrock) [Note: Is this link still live? I'm not too fussed to check it out.]
I'm not sure when I first heard of Harry and the Potters, but I found them and heard them on Myspace.com, you know, the third most visited website. [Note: Is that a true statistic anymore?] HatP are the creators of Wizard Rock and many have followed in their legendary footsteps to write in the voice of J.K. Rowling's wizards, witches, house elves, and whomping willow. I've listened to hours of music and I'm here to give you a quick glance at a few of the bands along with the words of a couple of musicians I've interviewed.
Harry and the Potters The original band had to be about Harry Potter, duh. The music is happy, fast, and catchy. The vocals are passable and I love anything with keyboards. Every song makes me laugh. I enjoy them because the allusions arent always so obvious, such as with the song title "The Human Hosepipe". Sample lyric: I'd rather not talk about your dead ex-boyfriends over coffee," from "The Human Hosepipe."
Draco and the Malfoys These lyrics are written in the voice of Harry Potter's nemesis. I do so love when the songwriter sets up a line that rhymes by ending in ass, but they switch it for another word; in the case of "Potions Yesterday" the word is bum. They sound much like Harry and the Potters, simple pop/rock. Sample lyric:" We were teamed up in dueling class. No one else believed that I would knock you on your bum/ Except for Snape, except for Snape", from "Potions Yesterday".
Ron and the Weasleys Again with the odd name grammar! Ron and the Weasleys feature really simple songs with guitar and voice and little else. The songs have a very cute sound, endearing them to listeners. Sample lyric: "Why'd we have to go and follow the spiders? Couldn't it have been follow the butterflies instead?" from "Why'd We Have to Follow the Spiders?"
The Dark Markers [Note: this guy, James, took the page for The Dark Markers down. Many wept.] Mind you, these are not very good or complex songs, but this band is easily my favorite simply because the songs James Bousfield writes are hysterical. Part of the humor of The Dark Markers is that he sings in a foreboding tone laid over simple keyboard music. Bousfield also enjoys more flexibility with his songs because he sings in the voice of any dark wizard. Sample lyric: "My name is Lucius Malfoy. Does my hair look gay?" from "Here in Azkaban."
The Hermione Crookshanks Experience Hermione is all about the singer/songwriter, indie sound. She comes up with awesome rhymes and clever lyrics. Kristine Thune started The Hermione Crookshanks Experience because of a love of the books and an admiration for Harry and the Potters. "I think one of my main reasons for 'joining the movement' is that there weren't any female wizard rockers. So, instead of waiting for someone else to do it, I picked my favorite character and started writing songs," Kristine said in an interview. There's an added benefit for writing as a character: "I actually think it's easier to sing songs written in Hermione's voice than it is to sing songs written in my voice. Music is a revealing medium, where artists bare their soul for an audience." Sample lyric: "You're the greatest seeker in the world, shouldn't be hard to find a girl," from "Krum's Song".
The Remus Lupins I know that some of you folks reacted with a "Why?" when you first read about Wizard Rock, so I asked Alex Carpenter of The Remus Lupins that very same question. "There is so much going on [in the Harry Potter series], I wanted to delve into that and explore it a little bit. Plus, it's fun," Alex replied. Both Kristine and Alex told me that they relate to the characters they've chosen and see a bit of themselves in Hermione and Lupin, respectively. Alex is easily the most friendly wizard rocker with personalized comments on myspace profiles for new friends. The Remus Lupins sound is acoustic and indie and his lyrics are playful. The sound is definitely not over-styled. Alex is one of my faves. Sample lyric: "Percy Weasley, you're a prick/no one wants you around, you stupid git," from "Burn Your Prefect Badge."
The Whomping Willows Oh yes sirree, the Whomping Willow sings. (So does the giant squid in the Hogwarts lake.) Wizard Rock goes undeniably weird with songs like "Whore for Dumbledore" and "Crawl Through My Treehole", which has an oddly sexy tone that creeped me out at first. Sample lyric: "Crawl through my treehole, baby. You've got me going crazy. Fulfill my nightmare, baby, as I reach into your soul", from "Crawl Through My Treehole"
Dobby and the House Elves The sound of this band is primarily dance and electronica, but there is a song ("The Knight Bus") that consists of rap-like lyrics over a disco beat. The Knight Bus is also educational because I learned the names of many wizard rock bands I didn't know existed during the shout-outs. Sample lyric: "Stan is the man that'll give ya a ticket. Ernie's behind the wheel, can you dig it!" from "The Knight Bus."
What's the appeal of Wizard Rock for listeners? One of my guinea pigs noted that, "It makes you think about the books and then you go, 'awwwww.'" Besides, looking up Wizard Rock bands is a fun procrastination idea. As if you needed any more.
In other news, I think that blogs are more fun when there are multiple contributors, so my sister Rachel and my brother Chris have agreed to guest every now and again.
Yes, Virginia, people write music about Harry Potter. The music they create is called Wizard Rock and the way it is spread is through the internet. (http://groups.myspace.com/wizardrock) [Note: Is this link still live? I'm not too fussed to check it out.]
I'm not sure when I first heard of Harry and the Potters, but I found them and heard them on Myspace.com, you know, the third most visited website. [Note: Is that a true statistic anymore?] HatP are the creators of Wizard Rock and many have followed in their legendary footsteps to write in the voice of J.K. Rowling's wizards, witches, house elves, and whomping willow. I've listened to hours of music and I'm here to give you a quick glance at a few of the bands along with the words of a couple of musicians I've interviewed.
Harry and the Potters The original band had to be about Harry Potter, duh. The music is happy, fast, and catchy. The vocals are passable and I love anything with keyboards. Every song makes me laugh. I enjoy them because the allusions arent always so obvious, such as with the song title "The Human Hosepipe". Sample lyric: I'd rather not talk about your dead ex-boyfriends over coffee," from "The Human Hosepipe."
Draco and the Malfoys These lyrics are written in the voice of Harry Potter's nemesis. I do so love when the songwriter sets up a line that rhymes by ending in ass, but they switch it for another word; in the case of "Potions Yesterday" the word is bum. They sound much like Harry and the Potters, simple pop/rock. Sample lyric:" We were teamed up in dueling class. No one else believed that I would knock you on your bum/ Except for Snape, except for Snape", from "Potions Yesterday".
Ron and the Weasleys Again with the odd name grammar! Ron and the Weasleys feature really simple songs with guitar and voice and little else. The songs have a very cute sound, endearing them to listeners. Sample lyric: "Why'd we have to go and follow the spiders? Couldn't it have been follow the butterflies instead?" from "Why'd We Have to Follow the Spiders?"
The Dark Markers [Note: this guy, James, took the page for The Dark Markers down. Many wept.] Mind you, these are not very good or complex songs, but this band is easily my favorite simply because the songs James Bousfield writes are hysterical. Part of the humor of The Dark Markers is that he sings in a foreboding tone laid over simple keyboard music. Bousfield also enjoys more flexibility with his songs because he sings in the voice of any dark wizard. Sample lyric: "My name is Lucius Malfoy. Does my hair look gay?" from "Here in Azkaban."
The Hermione Crookshanks Experience Hermione is all about the singer/songwriter, indie sound. She comes up with awesome rhymes and clever lyrics. Kristine Thune started The Hermione Crookshanks Experience because of a love of the books and an admiration for Harry and the Potters. "I think one of my main reasons for 'joining the movement' is that there weren't any female wizard rockers. So, instead of waiting for someone else to do it, I picked my favorite character and started writing songs," Kristine said in an interview. There's an added benefit for writing as a character: "I actually think it's easier to sing songs written in Hermione's voice than it is to sing songs written in my voice. Music is a revealing medium, where artists bare their soul for an audience." Sample lyric: "You're the greatest seeker in the world, shouldn't be hard to find a girl," from "Krum's Song".
The Remus Lupins I know that some of you folks reacted with a "Why?" when you first read about Wizard Rock, so I asked Alex Carpenter of The Remus Lupins that very same question. "There is so much going on [in the Harry Potter series], I wanted to delve into that and explore it a little bit. Plus, it's fun," Alex replied. Both Kristine and Alex told me that they relate to the characters they've chosen and see a bit of themselves in Hermione and Lupin, respectively. Alex is easily the most friendly wizard rocker with personalized comments on myspace profiles for new friends. The Remus Lupins sound is acoustic and indie and his lyrics are playful. The sound is definitely not over-styled. Alex is one of my faves. Sample lyric: "Percy Weasley, you're a prick/no one wants you around, you stupid git," from "Burn Your Prefect Badge."
The Whomping Willows Oh yes sirree, the Whomping Willow sings. (So does the giant squid in the Hogwarts lake.) Wizard Rock goes undeniably weird with songs like "Whore for Dumbledore" and "Crawl Through My Treehole", which has an oddly sexy tone that creeped me out at first. Sample lyric: "Crawl through my treehole, baby. You've got me going crazy. Fulfill my nightmare, baby, as I reach into your soul", from "Crawl Through My Treehole"
Dobby and the House Elves The sound of this band is primarily dance and electronica, but there is a song ("The Knight Bus") that consists of rap-like lyrics over a disco beat. The Knight Bus is also educational because I learned the names of many wizard rock bands I didn't know existed during the shout-outs. Sample lyric: "Stan is the man that'll give ya a ticket. Ernie's behind the wheel, can you dig it!" from "The Knight Bus."
What's the appeal of Wizard Rock for listeners? One of my guinea pigs noted that, "It makes you think about the books and then you go, 'awwwww.'" Besides, looking up Wizard Rock bands is a fun procrastination idea. As if you needed any more.
In other news, I think that blogs are more fun when there are multiple contributors, so my sister Rachel and my brother Chris have agreed to guest every now and again.
Tuesday, July 8, 2008
Video post
This video had my sister and I cracking up. OMG, BABIES.
Alan: "Dammit, I hate it when my baby shipment is late."
Dm Baby Sitting Services never did go solvent.
Ah lookit, that baby's pulling on Martin's hair!
I was saying earlier today that I need to find an Alan Wilder fan site, but I don't feel like searching.
I always do this.
I get a new album and it takes me six months to really get into it. This is practically the rule with me. I'm only three months off this time - right now, I'm getting into Last Night, the latest offering from Moby. I have been a Moby fan ever since I heard "Drop a Beat" and "Next Is the E" off his self-titled album while I watched my brother play computer games. From there, I fell in love with Everything is Wrong. "Feeling So Real" was my favorite for many years but now it's "Everytime You Touch Me". "Cool Blue Hive" made its way onto many soundtracks, including Scream. This and his breakout album Play saddled him with the techno/electronica label - and we all heard "Porcelain" way too many times. He soon followed it up with much of the same with 18. But one has to look to the albums Animal Rights and Hotel (Disc 1 only; Disc 2 is ambient stuff) to know that Moby knows how to rock.
With Last Night he returns to a techno, dance sound with palpable touches of disco, notable on "Disco Lies" (duh!). I still don't know that much about Last Night but I can say that it's slick and feels good to listen to. It's a bit reminiscent of his self-titled album, and that's okay. This album is a love letter to the 1980s club scene. Even though I didn't live it, I still wish I could be transported to a different time and place so I could dance the night away.
With Last Night he returns to a techno, dance sound with palpable touches of disco, notable on "Disco Lies" (duh!). I still don't know that much about Last Night but I can say that it's slick and feels good to listen to. It's a bit reminiscent of his self-titled album, and that's okay. This album is a love letter to the 1980s club scene. Even though I didn't live it, I still wish I could be transported to a different time and place so I could dance the night away.
Thursday, July 3, 2008
Random Artist Plug: ABC
Now admittedly I don't know much about ABC other than a few of their songs. But they win for having one of the best album titles How To Be A...Zillionaire! (1985). From that album they have an awesome song called "Be Near Me". This song is catchy as hell and the video is amazing. My brother, sister and I caught in on VH1 Classic one day and we were enthralled by its simple beats and oversized instruments.
Now I think their most popular song was "The Look of Love" from The Lexicon of Love (1982). What some people may not know is that Lexicon is a concept album (according to wikipedia, anyway) about the singer's heartbreak as he tries to have a successful romantic relationship. Poor Martin Fry.
Next up: a review of a local artist from Nampa.
ETA: I heard David Bowie's "Stay" (You know, from Station to Station. You know, Thin White Duke era Bowie.) at the bank today and I was pleasantly surprised. I don't know what sort of music setup they have, probably satellite radio. Whatever forces conspired to allow this to happen, it made me very happy. It literally made my day. I sent a text to my sister telling her "I heard Stay at the bank!" Turns out she thought I meant Oingo Boingo's "Stay" which would be just as surprising to hear at the bank, if not more.
Now I think their most popular song was "The Look of Love" from The Lexicon of Love (1982). What some people may not know is that Lexicon is a concept album (according to wikipedia, anyway) about the singer's heartbreak as he tries to have a successful romantic relationship. Poor Martin Fry.
Next up: a review of a local artist from Nampa.
ETA: I heard David Bowie's "Stay" (You know, from Station to Station. You know, Thin White Duke era Bowie.) at the bank today and I was pleasantly surprised. I don't know what sort of music setup they have, probably satellite radio. Whatever forces conspired to allow this to happen, it made me very happy. It literally made my day. I sent a text to my sister telling her "I heard Stay at the bank!" Turns out she thought I meant Oingo Boingo's "Stay" which would be just as surprising to hear at the bank, if not more.
I'm trying to keep this relatively regularly updated. So what do I have to discuss this day? I don't know. Let's talk about my huuuuuuge new found obsession with Depeche Mode. So I've always loved "Enjoy the Silence". I remember hearing this both on the radio and my brother had a .mp3. I would request it all the time. I have this clear memory of getting a ride to school from my mom and hearing it come on the radio. I bounced in the backseat. That makes me sound weird. I know.
So it took me more than 22 years, but I decided that "Enjoy the Silence" is my favorite song. This was practically a revelation for me. So now I want to do some sort of reading on the subject, so naturally I go to the library website. NOTHING. And then I find that my local public library is not listed on Worldcat. I did an Amazon search. HOLY COW PRICES. I so seriously get sad because books are hella expensive.
This is what I get for wanting to read about stuff.
So it took me more than 22 years, but I decided that "Enjoy the Silence" is my favorite song. This was practically a revelation for me. So now I want to do some sort of reading on the subject, so naturally I go to the library website. NOTHING. And then I find that my local public library is not listed on Worldcat. I did an Amazon search. HOLY COW PRICES. I so seriously get sad because books are hella expensive.
This is what I get for wanting to read about stuff.
Tuesday, July 1, 2008
First post
This is the requisite first post. There has to be a first before there can be anything else. This can be a Declaration of Principles, if you will. Except I'm not Charles Foster Kane, nor do I own a crappy newspaper. I'm just someone who loves music and I want to make a career out of loving music. My goal in life is to be a music journalist researching all the damn time and listening and writing. This is step one. I guess I can start by telling you what's on the back burner. This is a long-term project. I plan on writing a book about Morrissey's band members. Starting from the era of the Lads, circa 1992 in the Your Arsenal period. The first step was creating a sort of rapport with Spencer Cobrin when I interviewed him via myspace.com last summer for my college newspaper. Short digression: This was my second piece of music journalism. The first being a short article about wizard rock that I wrote my sophomore year.
This blog is about music. It can be music news, essays that touch on artists I like for personal reasons, album reviews, live concert reviews, and much, much more! (If you call in the next 30 minutes, your order will be doubled!)
This blog is about music. It can be music news, essays that touch on artists I like for personal reasons, album reviews, live concert reviews, and much, much more! (If you call in the next 30 minutes, your order will be doubled!)
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